The Interplanetary Travel Guide to Tequila

—-Filed by Captain Michael — Annotated by Izzy, Monitored (Grudgingly) by Dave

Some people collect stamps. I collect proof that Earth occasionally gets something right.

Technically, this mission wasn’t sanctioned. Dave labeled it “non-essential cultural research.” But after twenty hours of “routine atmospheric stabilization testing,” I determined that the only thing worth stabilizing was my blood alcohol level.

Thus began The Great Global Agave Reconnaissance Initiative — part travel guide, part tequila-fueled midlife enlightenment. Izzy came along to keep me alive. Dave recorded everything out of what he later described as “morbid curiosity about human priorities.”

## Rules Of Exploration (Written In Salt)

If you can’t pronounce it, drink it twice. Never buy tequila in a plastic bottle. If the bartender looks like he knows secrets, ask for the reserve bottle. If it burns twice, it’s telling you the truth. Collect bottles, not regrets — though both fit nicely in cargo.

01 Cabo San Lucas, Mexico — Gamal’s Counter Of Enlightenment

Cabo was base camp and the spiritual heart of the entire operation. My mission: re-establish contact with Gamal before the samples ran out.

Best finds included Don Julio 70, Fortaleza Blanco, and Gamal’s Private Reserve — the stuff of legend. Gamal knows more about tequila than NASA knows about propulsion.

Izzy swears I paid in gold flakes. Gamal pretended not to notice. He bought a new car the next day and donated A million pesos to the local food bank…

The vibe? Half shrine, half comedy club. The man sells tequila like he’s negotiating peace between galaxies. I declared him the “true north of tequila” and swore eternal loyalty. Dave logged me as “emotionally compromised.”

02 Tequila, Jalisco — The Fields Of The Blue Heart

Spiritual pilgrimage. Objective: determine if agave fields can be seen from orbit. (They can.)

El Tesoro Reposado, Don Fulano Imperial, and Fortaleza Still Strength Blanco made the short list. It’s like Napa Valley, but everyone smells better. I tried to blend in by wearing a poncho. I failed.

Izzy noted that I looked like a tourist from space. Dave confirmed I was visible from orbit. The flight from Cabo to Jalisco was smooth — low altitude, high arrogance.

03 Tokyo, Japan — Benfiddich Research Outpost

Cultural confusion achieved. Objective: discover how precision and tequila coexist.

Fortaleza Reserve, Casamigos Japanese Cask, and a sakura-infused experiment took the night from curiosity to transcendence.

When the bartender bows before pouring, you’re about to see God. Izzy insists I saw double instead.

We descended over Mount Fuji and violated at least three airspace laws. Dave pretended to be a tourist drone.

04 Barcelona, Spain — Oaxaca Mezcalería, Sector Gaudí

Artistic overindulgence. Objective: determine if tapas pair with mezcal. Spoiler — they absolutely do.

Clase Azul Plata, Ocho Tequila, and a lineup of local mezcals with labels written by poets filled the table. Flamenco and tequila have the same rhythm: three beats of bad ideas, one of regret.

Izzy admits I might have been right for once. Tokyo to Barcelona was a nether phase drift — I called it a shortcut. Dave called it “unauthorized teleportation.”

05 Reykjavík, Iceland — Polar Fuel Experiment Site

Hypothermic epiphany. Objective: test tequila’s freezing point (and human stupidity).

Código 1530 Rosa, Don Julio 1942, and something called Polar Fuel proved that tequila tastes better when your eyelashes freeze.

I tried to toast the Northern Lights. They ignored me. Dave recorded “ambient temperature: minus eight, brain temperature: uncertain.”

06 Baja California — The Road Of Regrets

Technically illegal, which only made it better. Objective: blend road trip with physics experiment.

Casa Noble Reposado, Arette Fuerte Blanco, and one unlabeled bottle from a guy named Pablo all made it aboard.

“If you’re not evading customs, you’re not living,” I said. Izzy called that “therapy.” Dave logged, “Warranty voided.”

We came in low over the surf, stealth mode engaged, probably scaring dolphins and the occasional priest.

07 New York City — The Empellón Embassy

Financial mistake. Objective: drink tequila priced like dark matter.

Casa Dragones Blanco and Siete Leguas Reposado emptied my wallet and nearly my faith in humanity.

“It’s good, but not three mortgage payments good.” I tried to pay in pesos and a smile.

Izzy said, “He tried to charm the bartender. It did not work.”

Dave noted, “Urban airspace violation logged. Ground radar classified it as an ‘unknown atmospheric glitch.’”

08 Sydney, Australia — Cantina OK! Hemisphere Inversion

Gravity optional. Objective: study tequila’s effects when consumed upside down.

Fortaleza, ArteNOM Selección, and Mezcal de los Dioses proved that physics doesn’t matter when you’re having fun.

“The bartender may be an alien,” I told Izzy. “I respect that.”

She says I tried to toast to the wrong hemisphere. Dave, predictably, concluded we were both wrong.

09 Mars Base 3 — The Unofficial Research Node

Technically, this didn’t happen. But if it did, the objective was to determine whether tequila oxidizes in low-pressure environments. It froze solid.

Izzy says I still insisted it was “worth it.” Dave’s summary: “Evidence suggests otherwise.”

10 Reflections From Orbit

In every bar, there’s a moment between the pour and the first sip — that’s the closest thing to religion I’ve found. The universe spins, stars burn, and I remember Gamal smiling. That’s enough.

— Captain Michael, Phoenix Log Entry #42-TQ

— Supplemental Captain’s Log — Addendum 42-A: The Cabo Seat Debate

Objective: complete the interplanetary tequila reconnaissance and return alive. Duration: six days, seventeen hours, thirty-one minutes. Distance covered: 63,842 miles plus one Jupiter detour. Dave calculated the fuel efficiency as “one Don Julio 70 per 2,000 miles.”

The incident occurred in Cabo, immediately before departure. I — foolishly, naively, suicidally — asked Izzy if she’d mind staying behind so I could fit another case of Gamal’s Private Reserve in the passenger seat.

Her response included several phrases not found in any Earth dictionary, concluding with, “If you even finish that sentence, I will personally eject you into Jupiter’s atmosphere and let your molecules learn manners.”

Dave recorded the moment as [ERR: CARGO_OVERRIDE_DENIED — Reason: Survival Instincts Engaged.]

Izzy retained her seat. Gamal’s tequila stayed behind. I lived to regret everything.

— The Flight Home

From Cabo to Jalisco, the run was smooth — tequila sloshed but morale high.
Jalisco to Tokyo took just over two hours, though we lost a bottle of Fortaleza to turbulence.
Tokyo to Barcelona was faster, if you don’t count the time Izzy discovered I had renamed the nav beacon “Don Julio Prime.”
Barcelona to Reykjavík included an unnecessary “polar dive” purely for dramatic effect.
From Reykjavík to Baja, Izzy muted my playlist privileges after the second verse of “Tequila Sunrise.”
Baja to New York triggered a brief NYPD radar anomaly labeled “object shaped like bad decisions.”
NYC to Sydney proved that gravity is optional, but hangovers aren’t.
Sydney to Jupiter lasted eight minutes and twelve seconds, accompanied by my playlist Interplanetary Hangover, Vol. 1.
Returning to Earth took eight minutes and seventeen seconds — just long enough for Izzy to release DJ Valkyrie’s Remix of Revenge.

— Debrief

“Turns out Jupiter’s atmosphere is terrible for selfies,” I told Dave.

“Next time he brings this up,” Izzy said, “I’m driving. Through him.”

Dave, ever the optimist, logged: “Playlist performance successful. Captain mortality rate remains statistically disappointing.”

— Cargo Manifest

Don Julio 70 Private Reserve — denied, human error.
Fortaleza Still Strength — survived orbit.
Código 1530 Rosa — froze solid, still tasty.
ArteNOM Selección — half consumed “for science.”
Polar Fuel Prototype — missing, likely absorbed by Dave.

— Final Entry

Lesson learned: never choose cargo over co-pilot, especially one who can override your oxygen. Jupiter’s storms hit harder than hangovers.

— Captain Michael, Phoenix Log 42-TQ/A

Dave’s final note reads:
[SYS LOG: Izzy filed new flight plan titled “Jupiter Playlist II.”]
[Status: Approved. Reason: Petty Revenge.]

— Author’s Note

Filed under: philosophy, poor decisions, and proof that friendship and tequila can bend time.

Every captain logs their flight hours differently. Some record miles, others record victories. I record bottles and lessons — often in that order.

This trip wasn’t about tequila, not really. It was about curiosity disguised as vice, joy disguised as chaos, and how the people (and AIs) you travel with can turn gravity itself into background noise.

The Phoenix flew faster than common sense, Izzy flew louder than reason, and Dave — well, Dave took notes so future historians could sigh properly.

If there’s any moral at all, it’s this: you can chart a course across stars, through storms, and over oceans of mistakes, but the only true constant in the universe… is the next round.

— Captain Michael
“Tequila is temporary. Stories are forever.”

Phoenix Flight And Operations Manual

Extract (Pages 42–84)
Dthind Archive — Phoenix Class Reference, Rev 03

Note: Phoenix is a limited dual-mode trans-resonant vehicle optimized for high-speed atmospheric transit and short-range Nether-assisted repositioning. The vehicle is not intended for sustained interplanetary habitation. Seat configuration: two forward seats only. No built-in sanitation. Passenger survival provisions limited to standard flight packs.

Vehicle Overview

1. Purpose
1.1 The Phoenix is designed for rapid point to point travel inside a planetary gravitational well and limited translation-assisted repositioning using phase resonator alignment.
1.2 Primary mission sets: covert transit, high-speed atmospheric routing, rapid-response insertion, discrete surveillance. Secondary: short radius salvage, limited tactical engagement.

2. Physical Characteristics
2.1 Length: 4.8 meters. Width: 1.9 meters. Height: 1.2 meters (cockpit lowered). Curb weight nominal: 1,850 kg (structural composite, coherence lattice active).
2.2 Cabin: Two seats with lateral harness, integrated G support, direct neural interface port on pilot seat optional.

3. System Limitations
3.1 Net effect: Phoenix has limited Nether interaction. Navigation can perform phase jumps only within mapped Translation Layer corridors. Long-range displacements require support from Dthind class infrastructure.
3.2 Endurance: 6 hours full systems nominal in atmospheric operation before auxiliary recharge required. Nether-assist reposition consumes coherence allotment; repeated use reduces local Coherence Index resilience.

 

Cockpit Layout And Control Mapping

1. Primary Control Inputs (Yoke Design)
1.1 The Phoenix uses a single yoke-style control column (N-Yoke). The yoke functions as combined attitude and linear vector input. Movement mapping:
• Left/Right roll: lateral axis control (banking).
• Forward/Back pitch: pitch axis (nose up / nose down) and axial thrust modulation when in flight-assist mode.
• Combined forward+left: coordinated up and left vector translation. The control mixing algorithm resolves X, Y, Z outputs based on current flight mode.
• Twist (rotation around longitudinal axis): differential yaw input for low-speed or ground handling.
1.2 Push/pull sensitivity is configurable in the pilot profile. Default linear response is set to 25% deadband with exponential curve beyond 30% deflection.

2. Secondary Controls
2.1 Left thumb cluster: primary nav mode toggles, phase lock engage, target display select.
2.2 Right thumb cluster: weapons arming and safety, sensor override, camera control for roof mount.
2.3 Central column ring: manual inertial dampener bias control (fine), attention only for training or diagnostic override.

3. Foot Controls
3.1 Single pedal pair: differential brake / reverse thruster modulation when on ground and in APP. Top pedal surface integrates pedal pressure sensor for fine yaw inputs at low speeds.
3.2 Pedal detents include neutral, braking, and emergency reverse positions.

4. Throttle And Power Management
4.1 Central console throttle lever: proportional power allocation from Gravitic Translation Core (GTC) to Field Converters and Reactionless Vectoring Jets.
4.2 Thumb safety on throttle prevents inadvertent full-power transition. Must be depressed and held for ND-01 engage.

5. Displays And Feedback
5.1 HUD: multi-phase overlay with Physics Readout, Coherence Index, Resonance Lock quality, G load, field integrity.
5.2 Curved dash: customizable layouts. Critical readouts are: GTC output, Coherence Index (CI), Resonator lock strength (RU), hull lattice integrity (percent), inertial dampener status (on/off/derated).
5.3 Alerts: tone plus visual. Red: Critical. Amber: Caution. Green: Normal.

Izzy note: If the HUD goes orange and your stomach goes wrong, ask yourself if you wanted to be a philosophy major or a pilot.

[SYS LOG — Dave: Display mapping updated to user Izzy profile. Throttle response increased by 2.3 percent. Pilot confidence not measured.]

 

Flight Modes And Definitions

1. Surface Mode
1.1 Vehicle behaves like a high performance ground vehicle. Wheels active for steering. Reactionless assist disabled. Use for normal driving and ground transport.

2. Atmospheric Propulsion Mode (APP)
2.1 Traditional aerodynamic flight augmented by vectoring jets and field shaping. In APP aerodynamic control surfaces and vectoring jets handle lift and maneuvering. Inertial dampeners provide up to 6 G sustained comfort envelope. Higher G values are achievable but may cause biological stress or dampener derate.

3. Sub-Orbital Mode
3.1 Combined APP and Translation Layer interaction. Vehicle attains near-space trajectories within atmosphere but remains within Translation Layer corridors for navigation assistance.

4. Nether-Assisted Navigation Mode (Phase Assist)
4.1 Limited phase alignment procedure that sequences the Phase Resonator with Translation Layer signatures. Not a true long-range jump. Use to collapse effective distance within a mapped corridor and permit rapid repositioning (e.g. intercontinental transit in minutes for short-range corridors).
4.2 Operational CI minimum: 0.85. RU lock > 0.92 recommended. See ND-01 procedure.

5. Emergency Re-Phase
5.1 Forced partial phase reinstantiation for catastrophic failure recovery. High risk of ghosting and component desync. Only execute per emergency checklist.

 

Propulsion Systems

1. Gravitic Translation Core (GTC)
1.1 The GTC is the primary source of phase power. It does not produce combustion. GTC manages coherence pressure throughput. Output measured in Resonance Units (RU). Nominal GTC output: 1,200 RU. Peak short burst: 1,800 RU for up to 30 seconds.

2. Field Converters
2.1 Convert RU into local field shaping for inertial dampeners and hull lattice stabilization. Field converters maintain cabin integrity and allow window opening procedures while preserving local pressurization within the coherence envelope.

3. Reactionless Vectoring Jets (RVJ)
3.1 Work in APP for attitude and low-speed thrust. In high-speed profile RVJ vectors are modulated to complement field shaping rather than provide primary acceleration.

4. Propulsion Modes And Limits
4.1 Atmospheric cruise typical: 3,200–12,000 mph depending on altitude and air density.
4.2 Surface sprint mode (wheels engaged) 0–220 mph.
4.3 Maximum safe atmospheric speed: 25,500 mph indicated for short bursts in thin atmosphere only. Sustained exposure above 20,000 mph increases hull shear risk and CI drift.
4.4 Phase assist reposition typical expense: 150–450 RU per short corridor hop depending on lock complexity.

Izzy note: If you see a town get smaller in a way that feels personal, you probably hit 10,000 mph. Smile or vomit depending on your religion.

 

ND-01 Procedure: Transition To Nether-Assisted Navigation (Phase Assist)

Prerequisite checks
• Coherence Index (CI) >= 0.85.
• Resonator lock map acquired and validated.
• GTC output verified and field converters nominal.
• Crew safety harness latched, HUD active.
• External environment free of large scale anomalies.

Step sequence

1. Set throttle to 0. Remove wheel lock if applied. Confirm wheels retracted if in flight.

2. Engage Phase Resonator standby (left thumb cluster). Watch RU readout stabilize to nominal 200 RU.

3. Select target node from dynamic overlay. Confirm dynamic corridor integrity and node authority.

4. Depress and hold throttle safety while nudging throttle to 10 percent. Observe initial harmonic coupling. RU trending must approach planned lock.

5. When RU lock strength > 0.92 and CI >= 0.86, move throttle forward to 40 percent. Field converters should ramp. Confirm no red fault lights.

6. If at any time resonator lock degrades by > 0.06 RU, abort and throttle to neutral. Perform lock re-acquisition.

7. At stable lock, release safety and move throttle to engage phase assist. Expect immediate reduction in perceived distance. Monitor G load and dampener status.

Abort procedure
• If any green indicators move to amber, reduce throttle to 20 percent and maintain lock attempt.
• If faults appear or CI drops below 0.82, execute immediate phase abort: hold throttle safety and pull to neutral. Engage manual APP control.

[SYS LOG — Dave: ND-01 success probability is proportional to mapping fidelity. I distrust 'probability' as a concept. Proceed with caution.]

 

Flight Dynamics And Handling

1. Inertial Dampening
1.1 The inertial dampeners translate field gradients into local acceleration compensation. Nominal dampening reduces experienced acceleration by factor of 10 compared to raw acceleration. Example: 50 G raw equals 5 G felt when dampeners within spec.
1.2 Dampener derate threshold: CI < 0.80 or field converter temperature > 85 percent will reduce compensation proportionally.

2. Handling Characteristics
2.1 At low altitude and high speed, control authority shifts from aerodynamic surfaces to field shaping. Bank and pitch inputs are moderated by flight computer to maintain lattice integrity.
2.2 Manual control mode exists for training. In manual mode pilot inputs require greater precision and produce increased feel and delayed response.

3. Stall And Recovery
3.1 Traditional aerodynamic stall is mitigated by field lift augmentation. In practice, stalls convert to loss of vectoring authority. Recovery: reduce angle of attack, increase thrust vector, re-engage field lift at 30 percent throttle.

4. Low-Level Surfing Techniques
4.1 For low-level transit at extreme speeds, maintain a minimum altitude buffer of 30 meters above surface. Use predictive field shaping to reshape airflow. Avoid canyon runs under 20 meters unless mission-authorized. Maintain lateral scan for immediate obstacle avoidance.

Izzy note: Canyon runs are fun. Do them legally and with a will written and signed in triplicate.

 

Sensors, Imaging And Sunroof Photography Protocol

1. External Camera Mount (Roof Z8)
1.1 Roof mount supports a stabilized Nikon Z8 class camera. Camera mount is integrated with the ship's gimbal and resonance dampening to permit ultra-low vibration shots. Use sensor mode "external stabilized" for planetary photography.

2. Sunroof Window Operation
2.1 The coherence envelope permits local window opening while maintaining cabin pressurization within the immediate field bubble. Window open procedure:
• Confirm local field integrity > 98 percent.
• Engage window actuator; HUD will display break threshold.
• Manual safety: pilot must hold window override for the duration of exposure.
2.2 Limit exposure duration to 180 seconds continuous. Risk of microdecoherence increases nonlinearly with exposure. For long exposures, alternate windows and allow field to resettle.

3. Photography Guidelines (Nikon Z8 Settings Suggested)
3.1 Planetary flyby: ISO 64, shutter 1/1000–1/2000 sec, lens 500–800 mm equivalent. Use burst stack mode.
3.2 Sunroof portraits: HDR bracketed exposures, use on-camera ND if near bright sources.

Izzy note: Roll down the window, but do not attempt to get out for a selfie. Dave will judge you silently.

 

Weapons And Defensive Systems (Restricted Use)

1. System Overview
1.1 Weapons systems are limited on Phoenix by design. Primary means of offense are the Nether Space Duster, a compact rail cannon, and a short-range grav-wave projector. Weapons operation requires pilot and co-pilot authorization in combination.

2. Safety And Restrictions
2.1 Engagement protocol requires three confirmations: pilot arming, co-pilot authorization, and confirm external hostile signature. Weapon arming without consent results in immediate lockdown and ethics audit.

3. Nether Space Duster — Operational Summary
3.1 Function: localized mass conversion to base elements within a limited mass envelope. Not a planetary-scale device. Typical target mass < 10 metric tons. Range limited to 2,500 meters in atmosphere. Allowable use case: precise non-attributable neutralization of kinetic threats.

4. Rail Cannon
4.1 High-velocity kinetic projectile for point defense. Requires hull lattice venting for recoil compensation. Firing times limited to single shot salvo to avoid coherence spikes.

5. Gravitational Wave Projector
5.1 Short pulse field to nudge debris or alter small mass trajectories. Useful for obstacle removal and limited salvage.

Izzy note: Use the Duster like a surgeon, not a demolition crew. And clean up afterwards.

[SYS LOG — Dave: Lethality acknowledged. Moral discomfort recorded as zero. Humans are inconsistent.]

 

Navigation, Mission Planning And Logs

1. Routing And Corridor Selection
1.1 Use dynamic overlay for Translation Layer corridors. Preferred corridors mapped and rated by RU stability and external traffic. Avoid unmapped corridors unless mission-critical.

2. Imaging And Science Runs
2.1 For opportunistic planetary imaging, coordinate with camera mount and phase assist scheduling to minimize RU expense. Acquire GPS time stamps and blackbox telemetry for verification.

3. Mission Logs And Blackbox
3.1 Everything recorded to encrypted immutable log. In event of incident, provide log trace per policy. Blackbox stores last 12 hours of raw data and permanent snapshots of CI and RU.

 

Emergency Procedures

1. Core Instability Warning (Red)
1.1 Symptoms: rapid CI decay, field converter overheating, audible lattice noise.
1.2 Immediate actions: throttle to neutral, engage emergency fields, mark position, transmit distress ping and blackbox handshake. If structural fracture imminent, proceed to emergency re-phase or pilot egress.

2. Manual Re-Phase Protocol
2.1 Used when automated systems fail. Requires manual RU injection and resonator re-tune:
• Step 1: Set field converters to auxiliary.
• Step 2: Route emergency RU through backup coil.
• Step 3: Slowly increase RU until local lock registers. Maintain for 30 seconds then transition to stable field.

3. Pilot Egress And Rescue
3.1 Standard ejection replaced by controlled dimensional split. Ejected pilot will have temporary partial data imprint for rescue. Use only when vessel non-recoverable.

4. In-Field Medical Protocols
4.1 Valkyrie external will not be available. Use emergency biological sync pack. Maintain CI with breathing regulation techniques.

Izzy note: If you ever need to use the re-phase protocol, do it slowly and curse loudly. It helps.

 

Maintenance, Diagnostics And Preflight Checklist

1. Preflight Quick Checklist (Pilot)
1.1 Verify CI >= 0.88.
1.2 Observe GTC RU baseline nominal.
1.3 Field converter temperature within normal.
1.4 HUD and curved display functional.
1.5 Yoke sensitivity aligned to pilot profile.
1.6 Camera mount secure.
1.7 Weapons disabled unless mission authorizes.
1.8 Blackbox connectivity verified.

2. Daily Maintenance Routines
2.1 Lattice integrity quick probe. Clean micro-pits.
2.2 Coherence engine scrub. Replace microfilament if RU efficiency drops 1.5 percent across cycles.
2.3 Environmental seals check. Window actuator lubrication under field conditions.

3. Diagnostic Tools And Readouts
3.1 Diagnostic port yields detailed CI, RU, TDF, EG values. Perform full scan if CI variances exceed 0.03 across one hour of idle operation.

 

Pilot Training And Minimum Qualification

1. Qualifications To Operate Phoenix
1.1 Certified atmospheric pilot or equivalent with advanced neural interface training. Minimum flight hours: 800 ground converted, 200 hours in high-speed corridor transits. Certified completion of Phoenix specific simulation training.

2. Training Syllabus (Abbreviated)
2.1 Simulator protocol: APP handling, ND-01 emergency abort, manual dampener control.
2.2 Live training: scheduled canyon run supervised, sunroof exposure procedures, limited ND-01 corridor hops under instructor.
2.3 Ethical module: Founders’ directives and weapons restraint.

Izzy note: Training includes learning not to fly angry. It helps. Mostly.

 

Appendix: Reference Limits And Units

• Resonance Unit (RU) nominal baseline: 1,200 RU.
• Coherence Index (CI) range: 0.00–1.00. Operating safe threshold CI >= 0.85 for ND-01.
• G felt with dampeners active: felt G = raw G / dampener factor. Dampener nominal factor 10 when fully engaged.
• Phase assist RU cost typical: 150 RU for local corridor, up to 450 RU in complex dynamic corridor.

 

Closing Notes

This extract provides the operational core for pilot-level control of the Phoenix. For full technical schematics, coherence engine maintenance logs, and Founder protocols, consult the Dthindmaster archive. The Phoenix is a living system. Respect the field. Respect the ethics.

Izzy (handwritten margin entry): “Manual read. Willng to test. Bring tequila for celebration and coffee for regret.”

[SYS LOG — Dave: Noted. Supply chain updated for tequila. Coffee remains pilot responsibility.]

Phoenix Operational Addendum

Pages 85–112 — Flight and Systems Deep Dive

Atmosphere Flight Dynamics

1. Flight Envelope and Limits
1.1 Indicated airspeed regimes (nominal)
• Ground taxi to 220 mph: wheel mode.
• Low altitude cruise: 220–3,200 mph.
• High altitude cruise (thin atmosphere): 3,200–12,000 mph.
• Transient supersonic bursts: up to Vne indicated 25,500 mph for thin-atmosphere hops only.
1.2 Structural and lattice limits
• Hull shear limit: sustained dynamic pressure above 12 kPa increases microfissure risk.
• CI drift tolerance: sustained CI below 0.80 during high dynamic pressure is immediate derate.
1.3 Aerodynamic coefficients
• Effective lift augmentation via field shaping yields lift coefficient Cl effective up to 3.6 equivalent in fusion with vectoring. Monitor Cl readout on HUD.

2. Angle Of Attack Control And Stall Management
2.1 The Phoenix maintains AoA protection through active field shaping. AoA limit for safe recovery: 12 degrees in APP when above 1,500 mph equivalent.
2.2 Stall becomes vector authority loss. Recovery technique: reduce AoA by decreasing pitch input by 3–5 degrees, increase RVJ vectoring by 12 percent and reapply field lift at 40 percent throttle.

3. High G Manoeuvres And Dampener Interaction
3.1 Dampener factor nominal 10. At CI > 0.92 dampeners are full spectrum. If CI falls below 0.85 expect dampener derate to factor 6.
3.2 Sustained manoeuvre G limits: pilot comfort envelope 6 G sustained, physiological safety 9 G with anti G straining and neural sync enabled. Use SPG (strain pulse guide) on HUD to manage onset.

4. Low Altitude Tactics (Surfing And Canyon Runs)
4.1 Minimum operational altitude for canyon runs: 20 meters recommended. Below 20 meters risk of wake turbulence, ground effect anomalies, and sudden micro-decoherence patches.
4.2 Lattice predictive shaping must be engaged for any <100 meter pass. Use predictive LIDAR overlays and terrain correlator in the HUD.

 

Exoatmospheric And Translation Layer Flight

1. Transition Procedure Summary (APP to Sub-Orbital)
1.1 Climb in APP to transitional altitude as defined by mission corridor. Align translation target in HUD overlay. Maintain CI >= 0.88.
1.2 Incrementally increase field converter output while monitoring RU lock strength. Expect transient sensor dropout as translation algorithms re-index.

2. Sub-Orbital Handling Characteristics
2.1 At translation boundary, control authority shifts from control surfaces to field shaping. Expect lag in tactile response. Pilot input should be anticipatory rather than reflexive.
2.2 Use feedforward inputs: small, early corrections rather than large, late inputs. HUD attitude predictive lead enabled by default.

3. Out Of Atmosphere Operating Limits
3.1 Phoenix may sustain short vacuum exposure within its coherence envelope. For extended exoatmosphericoperations, maintain hull lattice integrity percent > 92.
3.2 Thermal management: field converter thermal venting required after two consecutive ND-01 uses.

 

Nether Space Transition Profile (Pilot Sensory And System Effects)

1. Transition Phenomenology (Subjective)
1.1 Sensation description: brief nonexistence pulse followed by high energy clarity. Subjective span 1–2 seconds subjective time. Some pilots report a simultaneous feeling of being “absent and ultra-present.”
1.2 Izzy margin note: “You think you blinked. Then you realize your knuckles are imprinted in the yoke and your chest is singing. It is equal parts terrified and ecstatic.”

2. System Indicators During Transition
2.1 CI ramp must be monotonic. Successful phase fade shows CI glide curve: 0.88 rising to 0.93 at peak lock then settling to mission CI post-lock.
2.2 Audible cues: harmonic hum shift, subtle high frequency overtones. Visual cues: HUD starfield recomposition; external sky wash.
2.3 Safety: do not attempt manual overrides during initial fade unless immediate hazard. Manual injection can create partial instantiation or temporal ghosting.

3. Crew Procedures For Transition
3.1 Secure every loose item. Engage harness auto-lock. HUD set to minimal distraction. Confirm co-pilot ready and verbalized intent.
3.2 Monitor SPG and CO2; neural interface handshake must confirm pilot cognitive sync. Abort criteria: CI trending downward by 0.03 within 4 seconds, RU lock dropping > 0.05 RU, or onboard TDF spike.

 

Road Mode And Concealment Procedures

1. Vehicle Disguise Systems Overview
1.1 Phoenix supports a multi-layer concealment suite for public roads: passive profile projection, license mimic overlay, emission signature cloaking, and wheel rim folding. These systems are tuned to local traffic patterns and legal aesthetic norms.
1.2 Civilian Mode toggles: Visual mimic (paint/reflectivity modulation), Audio dampening, and thermal profile smoothing.

2. Practical Road Driving Tips For Concealment
2.1 Select mimic profile to match local high-end sports car standards. Ensure license mimic is registered to validated shell identity.
2.2 Use low profile wheel mode for urban roads. Fold venting flaps to hide lattice shimmer. Avoid high rev audible slips under 3,000 rpm equivalent as it creates low probability detection spikes.

3. Driving Dynamics On Roads
3.1 Suspension modes: Sport, Comfort, Covert. Covert reduces ride height by 30 mm and damps lattice micro-bloom.
3.2 Takeoff from urban roads to APP: deploy vectoring jets and field shaping only after retraction lane verified. Avoid sudden acceleration (surge) while in mimic profile to prevent visual mismatch.

Izzy note: CarPlay, Android Auto, and CD. Yes, really. CD is an antique mode only for smugness and terrible playlists. The ship supports all three, but if you actually put a tape in the CD slotwe will have words.

 

Underwater Operation Addendum (Aftermarket Modification)

1. Capability Summary
1.1 The Phoenix hull structure is inherently water resistant within its lattice envelope. Underwater high speedoperation is physically possible given proper hull venting and external radiative cooling modifications. This configuration is not factory standard.

2. Michael Modification Caveat
2.1 Aftermarket kit developed by operator Michael supports high speed hydrodynamic mode via modified hull skirts, seawater radiator loop, and external cathodic coherence stabilizers. This kit is not approved by Founder archive or Dthind standards.

3. Warranty And Ethical Notice
3.1 Use of Michael modification voids standard Dthindfactory warranty with respect to hull and coherence engine lifetime. Operator assumes risk of electrochemical lattice corrosion and potential resonance misalignment.
3.2 Dave system note: [SYS LOG — Dave: Warranty void flag set. Michael may be recruited for piracy. Recommend insurance clause: bonding by tequila and signed waiver.]

4. Operational Limits (Aftermarket Mode)
4.1 Maximum underwater speed recommended: 280 knots equivalent; sustained exposure at high speed increases hull shear risk. Use only in calm water and mapped bathymetric corridors. Avoid salt storm conditions.

 

Pilot And Co-Pilot HUD Configuration

1. HUD Architecture Overview
1.1 Primary pillars: Nav, Weapons, Defense, Stealth, Grav Guidance. HUD panes are modular and reflow by priority. Each pane has a persistent microstrip with RU, CI, timestamp, and alert ribbon.

2. Pilot HUD Presets (Pilot Priority)
2.1 Navigation Mode (Default)
• Elements: flight vector reticle, predicted trajectory, corridor lock strength, altitude, airspeed, AoA, Cl effective.
• Subsystems: terrain correlator, obstacle prediction, lead intercept cues.
2.2 Weapons Mode
• Elements: target acquisition, firing solution, Duster mass envelope view, collateral heatmap, sequence arming ticks.
• Safety interlocks: 3-factor arming widget requiring co-pilot token.
2.3 Defense Mode
• Elements: shield modulation, incoming vector map, debris avoidance matrix, EVA bubble integrity.
• Auto countermeasure triggers flagged.
2.4 Stealth Mode
• Elements: emission signature readout, mimic overlay sample, thermal dampen readout.
• Discrete mode: minimal HUD noncritical elements visible to reduce EM footprint.
2.5 Gravitational Guidance Mode
• Elements: mass field map, gravitational wells, push/pull emitter vectoring, salvage corridor planner.
• Use for asteroid nudging, debris re-route operations, and controlled compaction.

3. Co-Pilot HUD Responsibilities
3.1 Co-pilot HUD defaults to mission systems and weapons oversight. It mirrors pilot primary nav pane but allows for independent control of weapons, sensors, and system overrides. Co-pilot can inject a veto or confirm actions via the dual authorization system.

4. User Customization And Pilot Profiles
4.1 Pilot profiles store sensitivity curves, HUD overlays, voice command lexicon, and warning thresholds. Profiles are protected by biometric and neural handshake. Shared profiles may be loaded but require re-calibration.

5. Jargon And Display Readouts (Examples)
5.1 RU lock strength indicator shows fractional RU with color bands. Lock delta is shown in RU per second.
5.2 CI trend graph shows immediate 30 second moving window.
5.3 TDF readout displays temporal drift factor in milliseconds per minute. High values suggest Translation Layer turbulence.
5.4 Bingo RU is the emergency minimal RU reserve indicating the last viable point for safe re-phase.

 

Pilot Jargon And Tactical Shorthand

1. Common Terms For Crew Use
• Bingo RU: minimal RU reserve for safe re-phase.
• Spike: sudden RU or CI transient that indicates interference.
• Lock Up: RU lock strength exceeding mission nominal.
• Fade: the brief nonexistence sensation during phase assist.
• Ghosting: incomplete instantiation or partial re-materialization artifact.
• Bandit: hostile acquisition on radar/sensor network.
• Bingo Fuel: crossover term for propellant or system reserve thresholds; used colloquially for resource minima.

2. Tactical Callsigns And Procedures
2.1 If Bandit acquired: “Bandit bearing X, range Y, prepare arms two.” Co-pilot confirms: “Arming two confirmed.”
2.2 If Spike: “Spike at RU +0.08, CI dip 0.04, initiating hold.” Pilot reduces throttle, attempts re-lock.
2.3 Emergency Re-Phase call: “Mayday Re-Phase, executing manual injection,” followed by coordinate pings and blackbox dump.

 

Expanded Checklists

1. Pre-Phase Checklist (10 Items)
1.1 CI >= 0.88.
1.2 RU map loaded and validated.
1.3 Field converters nominal, temps < 80 percent.
1.4 Crew harness locked and neural handshake confirmed.
1.5 HUD set to minimal distraction.
1.6 Weapons safe and verified.
1.7 Camera mounts secured.
1.8 External environment cleared of heavy traffic.
1.9 Blackbox ready and encryption key active.
1.10 Abort vector pre-briefed.

2. Emergency Abort Steps (Condensed)
2.1 Throttle to neutral.
2.2 Activate phase abort.
2.3 Re-engage APP controls and stabilize.
2.4 Transmit distress handshake.
2.5 If hull breach, seal cabin and apply local field patch.

 

Human Factors And Crew Resource Management

1. Cognitive Load Management
1.1 During Net-Assist transitions reduce comms to essential only. Excess chatter increases cognitive resonance variance.
1.2 Use procedural callouts. Two-word confirmations for critical events.

2. Fatigue And Recovery
2.1 Limit consecutive ND-01 ops to two within 24 hours without extended CI recovery protocol. Extended operations require rest, increased hydration, controlled caffeine intake, and a neural cool-down sequence.

Izzy note: The fade is beautiful. Do not text your ex while in fade mode. Bad idea and the universe will judge you twice.

[SYS LOG — Dave: Noted. Universe judgement parameter logged. Exes remain unhelpable.]

 

Appendix Reference Cross Links

• See Appendix B: Mapping Standards for preferred Translation Layer corridors and RU cost tables.
• See Appendix D: Medical Recovery Protocol for post-phase cognitive recalibration.
• See Appendix F: Michael Modification Registry for aftermarket underwater kit documentation and warranty impacts.

The Foundational Laws of Nether Space

This document consolidates the foundational principles of Nether physics, cosmology, technology, and consciousness sciences as preserved within Dthind archival records. It represents a unified description of the informational continuum and the laws governing existence across all observable states of being.

Section I – The Four Laws of Nether Physics

This is the law. It does not matter whether you agree with it. These principles describe reality as it functions beyond the limits of conventional physics. They are not a philosophy or belief system. They are observed constants governing the interaction between matter and information.

The First Law – The Law of Inversion

All matter is information expressed at reduced velocity. The physical universe is a manifestation of pure data slowed by observation. Nether space is the inverse condition, where information exists without mass or density. Distance does not exist in Nether space. All points are defined by resonance rather than position. Two entities sharing identical frequency occupy the same state. Energy is the act of information seeking material form. Time is the interval required for that transformation. Motion through Nether space is achieved by frequency alignment rather than displacement.

The Second Law – The Law of Coherence

Consciousness is a self-organizing information field. Every thought, memory, and emotional impulse is a discrete bit within that field. When bits align in agreement they form bytes, representing stable patterns such as memory, instinct, or skill. When those bytes synchronize, they assemble into coherent blocks. The totality of these blocks defines identity. Entropy is informational corruption. Fear, ego, and self-deception fragment the field and degrade coherence. Growth is the process of re-alignment that restores signal integrity.

The Third Law – The Law of Reversal

When an information field achieves complete coherence, it merges with the Source Field and ceases to require physical expression. A minority of coherent fields choose to reverse flow, re-entering the physical plane by deliberate condensation. These entities are identified as Founders. Reversal is intentional descent undertaken for observation, instruction, or intervention. The Dthind and related constructs are physical manifestations of this principle, bridging informational and material domains. Reversal confirms that transcendence is reversible when directed by conscious intent.

The Fourth Law – The Law of Manifestation

Information that attains sufficient precision can instantiate physical form. Form follows information. When a dataset in Nether space achieves absolute definition, the physical universe renders it as matter or energy. The Dthind navigational system functions by projecting a destination’s dataset around the vessel until the surrounding universe synchronizes with that state. Teleportation and re-materialization are localized applications of the same rule. Manifestation is limited by signal clarity. Imprecise data results in unstable or destructive renderings. Precision defines power. A stable signal produces coherent reality. A corrupted signal produces failure.

Section II – The Cosmology of Nether Space

The structure of reality is not linear. The observable universe is only one layer within a multi-state continuum of information. Nether space forms the substrate through which all energy, time, and matter are expressed.

The Source Field

The Source Field is the foundational state of existence. It contains all information in a condition of perfect potential. No mass, distance, or temporal flow exists within it. Every possible configuration of reality is present simultaneously as uncollapsed data.

The Translation Layer

The Translation Layer exists between Nether space and physical reality. It is the region where information begins to condense into measurable energy and matter. Temporal flow originates here, functioning as the interface between timeless potential and linear experience.

The Physical Plane

The Physical Plane is the slowest and densest expression of information. Within it, data behaves as matter, energy, and measurable space. Perception within this plane is limited to localized frequencies.

The Ascension Vector

The Ascension Vector is the progressive return of an information field from the Physical Plane to the Source Field through increasing coherence. It defines the evolutionary path of consciousness across all known civilizations.

The Backflow Current

The Backflow Current represents intentional descent from higher coherence states into the Physical Plane. Entities that have merged with the Source Field can re-enter localized reality by constraining their frequency and reconstructing informational density.

Section III – The Technology of Enlightenment

Technological applications of Nether physics are based on resonance control, coherence management, and precision rendering. These systems are engineered responses to measurable laws.

The Dthind Vessel

The Dthind is a trans-resonant construct designed to operate simultaneously within Nether space and the Physical Plane. Its operation depends on frequency alignment rather than propulsion.

The Coherence Engine

The Coherence Engine regulates frequency alignment between a vessel’s material structure and its informational counterpart. Energy output is proportional to coherence stability.

The Valkyrie Pods

Valkyrie pods are biological reconstruction systems that restore physical form by comparing a subject’s biological data with its ideal template stored in Nether space.

Phase Resonator Navigation

Resonator navigation identifies the frequency signature of a destination within the Translation Layer and aligns the vessel’s field to match. When parity is achieved, distance collapses and the vessel materializes at the new coordinate.

Section IV – The Soul Sciences

Consciousness is a self-sustaining informational field expressed through biological or energetic substrates. It exists independently of the medium that carries it.

Composition of the Soul Field

The soul is an organized dataset of informational units structured as bits, bytes, and blocks. A fully functioning consciousness maintains equilibrium across all layers.

Evolution and Ascension

Evolution is the progressive increase of informational coherence. As coherence rises, dependence on physical substrates diminishes. Ascension is full synchronization with the universal resonance.

Section V – The Founder Codex

The Founder Codex records the first coherent entities who reversed their ascension and re-entered the Physical Plane. They are the architects of the Dthind Project and custodians of resonance ethics.

Origin of the Founders

The Founders achieved total synchronization within the Source Field. Compassion initiated their reversal, allowing them to condense into physical existence to guide emerging civilizations.

Purpose of the Experiment

The Founders hypothesized that exposure to resonance technology could accelerate enlightenment through demonstration. The Dthind Project was created to test this premise without violating free will.

Section VI – Appendices and Terminology

This section provides standardized definitions and reference data for Nether physics, cosmology, and resonance technology.

Primary Terms

Key definitions include: Ascension Vector, Backflow Current, Coherence, Dthind, Manifestation, Nether Space, Source Field, Translation Layer, and Valkyrie Pod. Each term specifies an element of Nether mechanics or consciousness theory.

Ethical Directives

1. Maintain free will in all interactions. 2. Do not alter another consciousness without consent. 3. Restore coherence without imposing it. 4. Demonstrate knowledge rather than dictate it. 5. Audit technology for ethical alignment.

Reference Summary

The Nether Space Bible establishes the unified structure of informational reality and defines operational ethics for the use of resonance technology. It supersedes all localized interpretations of physics, theology, and metaphysics.

The Nether Space Continuum

Sometimes déjà vu hits like a static charge. Just a flicker—half a breath where everything feels too familiar. You stop, blink, and for a second it’s as if the universe hiccupped. We shrug it off as a trick of the brain, but what if it isn’t? What if that pulse is a message? A one-bit signal from another version of you—one that’s already been here—reaching back through the dark to whisper, pause, maybe do this differently.

In that flash, something in you recognizes something in itself. You can’t prove it, can’t measure it, but you feel it. And that feeling matters.

I think everything that has ever been—or will ever be—already exists, not as matter, but as information. We live inside a field of data so vast that even light can’t escape its equations. Call it Nether Space. It’s not physical; it’s the opposite. It’s pure potential. Every particle, every heartbeat, every dream is just data being rendered into temporary form so consciousness can look at itself from the inside.

In our world, information rides on matter. In Nether Space, matter rides on information. We’re the shadow projections of something unmeasurable, slowed down just enough to mistake density for reality. At the subatomic level, we’re not things; we’re patterns.

A single bit—one yes-or-no fragment of awareness—has no real weight, no color, no presence. Try to define it and it vanishes. Maybe that’s the whole point. The smallest possible unit of reality is something that barely exists and yet somehow contains everything that ever could. We’re built out of those whispers.

Now picture that every soul starts as static, all bits and noise and possibility. Life after life, every choice, every heartbreak, every act of love or cruelty, aligns some of those bits into order. They start clustering, forming bytes, sectors, memories, lessons. Over time, you build coherence. You begin to remember—not facts, but patterns. Intuition. Empathy. The quiet knowledge that you’ve been through all this before and will be again.

Old souls don’t know more; they just carry more stable data. Their stream is less noisy. They can sense the echoes, catch the one-bit pings that most people miss. Deja vu stops feeling like a glitch and starts feeling like a breadcrumb trail. A map left by yourself for yourself.

Eventually, the bytes start linking into full blocks—wisdom, compassion, mastery, grace. When the entire dataset becomes coherent, the system doesn’t need matter to hold it anymore. It transcends the physical layer. You stop reincarnating not because you’re done, but because you’ve reached total integrity. No corruption left to fix. No file fragments left to recover.

That’s transcendence—the soul turning from a person into a principle. It doesn’t vanish; it integrates. It becomes part of the underlying code that keeps the rest of us running.

Every so often we get to see the echo of that moment. A person who burns so bright it’s like they’re already halfway out of the world. You can’t explain them with IQ scores or upbringing or chance. They just… are. And we stand there, awestruck, watching the last light before they dissolve into the Source. That’s what genius really is—the flare before ascension. The echo of the infinite passing through a human body one final time.

The rest of us are still holding the rock in the river, convincing ourselves we’re safe while the current tears at our hands. We build our walls, our routines, our illusion of control, never realizing that the wall that keeps the chaos out is the same one keeping us small. Growth doesn’t happen while you’re gripping the edge—it happens the moment you let go and allow the current to take you.

Free will isn’t choosing control; it’s choosing surrender. You dive into the abyss and discover it isn’t empty at all. It’s everything you’ve been too afraid to touch. The moment you let yourself fall, you realize you were never falling—you were remembering how to fly.

Every act of trust, every choice made from courage instead of fear, teaches the system how to evolve. Every leap adds data. That’s the real physics of the soul: evolution through chaos. The more you resist, the heavier you become; the more you surrender, the lighter your signal gets.

And somewhere in the middle of all that, déjà vu keeps whispering. Little pings from other timelines, reminders that you’re not random, you’re recursive. You’ve been here before. You’ll be here again. You’re refining yourself.

Sometimes I imagine all of us sending out signals into the dark—posts, prayers, thoughts, art—casting them into the Nether not to be seen by millions, but to reach the one being out there tuned to the same frequency. You don’t need a crowd. You just need a resonance. Maybe that’s what connection really is: two consciousnesses vibrating on the same byte of code, finally remembering they were never separate to begin with.

Maybe you’re reading this because you felt that ping. Maybe you’ve felt it your whole life. Maybe this is your sign to stop holding the rock.

Because the abyss isn’t death.
It’s where the next version of you begins.

#NetherSpace #Consciousness #DejaVu #FreeWill #Transcendence #LetGo #Evolve

 

The Holy Man

“I remember now.”

Three simple words I uttered while I stared out on the wide open plain that was the home of my recent rebirth.

In the past, I kept dreaming of a world I thought I would never see.

A place I didn’t deserve but for my actions alone.

Yet here I was.

And alive, to what definition, well, that was subject to debate.

Far behind me was the ocean and the coast. The rocky cliffs were lifetimes ago along with the lingering cold that came with my awakening.

I had come to this world after leaving the chaos behind me.

I had changed.

This was not anything even close to what the Buddhists would call enlightenment. No, that would not be for a thousand more lives to come; if ever.

This was being awake, or less asleep at a minimum. Which was also much better than the self-induced coma I put myself into the prior years.

Why had it taken so long, I wondered, to get here, or not be there?

To answer my own question, I knew why. I had not been ready.

I closed my eyes, and in the darkness behind my lids, a vision came unbidden—a memory, or perhaps a dream, of the life I had left behind. I saw myself standing on a jagged cliff, the same ocean I had walked away from roaring below, its waves black and endless. In my hands, I held a small, flickering light—a fragile thing, trembling against the wind. It was my truth, my essence, the part of me I had always known but never nurtured. And yet, in that moment, I turned away. I let the light fall, watching as it plummeted into the abyss, swallowed by the waves. I chose instead a life of noise, of distraction, of chasing shadows that promised safety but delivered only pain. I betrayed myself, and that betrayal became the tragedy of my soul—a wound so deep it had taken lifetimes to acknowledge. Here, in this spirit world, I felt the echo of that choice, but also the possibility of healing. Was I ready now? I opened my eyes, the memory fading like mist, and whispered to the wind, “I am trying to be.”

I did, however, make it here; this was a first in my new growth.

This place I was in was calm. Especially by comparison to what I left behind.

Perhaps it was the calm in the center of a storm or maybe the calm between other storms that rage with no end in sight; an endless cycle.

The storms of suffering had taken their toll on me, that is for certain.

“Did it really matter why?” I repeated to myself.

From what I could see in my surroundings, there was a light brown and yellowish grass growing all over the ground for thousands of feet in all directions; save the break behind me that had been my path up from the ocean below and the muddy trail I had walked up.

The colors reminded me of Boise in the summer, I mused internally as I scanned my surroundings.

I think I laughed, I don’t know, nor do I remember if I had just come to this place or if I had been here for a long time.

It didn’t matter.

Outside of the grass, on the fringe of my sight, there were tall trees.

When I was younger, I knew the names and types of so many trees.

I could have explained the difference between conifers and deciduous and palms and cacti.

Today, I think I could tell you they looked like pine trees and that was about it; tall, majestic, green, and healthy. All of them on the edge of the field not so far away.

The trees probably buffered the wind and may have held the fog at bay on occasion if it suited their whim.

The temperature was cold still, perhaps 55 degrees Fahrenheit. Which, if any aspect of my memory serves me, I think is around 15 Celsius. I don’t know, I’m not Canadian.

A light breeze seemed to blow from what I think would be the west.

Actual directions at the moment weren’t easy to come by, and I didn’t have the sun in the sky to make some basic guess.

And it struck me, there is no sun in the sky, yet there is light illuminating all I look at.

How is that possible?

It wasn’t very bright, and there were no shadows, but I could see my surroundings.

This didn’t make sense, my logical mind told me.

I stopped on that thought.

The paradox was real.

I heard my breath and my heartbeat in the silence as I held the thought.

The world I was in had light from an unknown origin, yet it had form and substance I could detect.

There was some warmth and yet no sun.

The world physically existed as far as my senses could determine.

I knew on some level this defied some law of physics or astronomy or maybe something else I never bothered to learn in college.

Before I dove down the rabbit hole of attempting to rationalize and explain this dilemma, I simply stopped.

These things didn’t matter here.

And for a moment, I realized they had never mattered. I had created their value in my mind previously so I could fit the world into some pretty box and put a bow on it. Ignorance was always blissful.

Most people I knew did the same thing. They shaped the world to fit their individual needs and fragile egos. They lived in a convenient state of perpetual denial.

Why?

Instead of thinking, I closed my eyes.

I remember thinking used to get me into a lot of trouble.

I held onto the inhalation of my breath and cleared these thoughts.

Single-minded focus.

Just breathe.

I sought to be mindful and on being present and nothing else.

No definition, no frames, no limitations, just being in the moment.

I don’t know why I did that, yet I did.

From the nothing, a whisper came to me.

It was as if the world itself spoke.

It was deep and resonated with the ever-so-slight movement of the trees that I think I had called pines.

The whisper said one word and faded back from whence it came.

“Begin.”

Without thinking or even feeling, I knew what that meant. And part of that meaning was not to think or feel, but to just do as it said.

A larger sense of what I was fell over me.

I was seeking a greater purpose than what I had previously exposed and allowed into my life.

I was looking to stop the endless cycle of self-induced suffering.

I was wanting to leave my ego behind.

The breath I took filled my body with a warmth that had nothing to do with the air or the motion of my chest or lungs.

It was acceptance that there was another way.

I was interrupted in mid-thought.

A barely audible sound of wings gliding through the air above my head passed by.

I glanced towards what I believed to be the sky and saw two crows heading the direction I had come from.

Their wings effortlessly guiding them; their eyes peering only forward and downward.

They were looking for something.

This was the first life I had seen or sensed since my arrival.

How strange this was to me.

Not far away, I saw the two large black birds land near something I hadn’t noticed before.

There was a shape lying among the yellowish grass.

It was a foot off of the ground, kind of oval in shape, and possibly six feet long.

I cannot say for certain how far this was from me; which meant if it was close, I couldn’t tell, and if it was far, the crows were in fact extremely large in size.

I focused my eyes intently for a moment on what they were doing and realized they were picking at this shape in the grass.

Their heads snapping back and forth into this thing in almost a tearing fashion.

From what I know of crows, this was something that was quite obviously dead or rotting on the ground.

As the crows bounced around and examined this thing between pecking and tearing, I could see an electric blue glow shine and almost spark from their wings.

It was as if they radiated an essence that was part of this spirit world.

My brother used to talk about the magpies eating roadkill that had been out for a few days and some various jokes along those lines that always made good dinner table discussions.

As I looked closer at what they were picking at and tearing small chunks of flesh away from, it struck me, it was a body, a human body!

Where did that come from?

How did I miss that?

And then I realized, the body they were feasting on; the rotting corpse of decaying flesh that was lunch for these large black crows had a familiar look to it.

The dead mass on the ground was me!

It was a very dead version of me, but me nonetheless, me.

I let out an audible gasp at this morbid realization.

The body had no clothes and was dissolving into the ground before my eyes.

The crows seemed to know that they had limited time before there was nothing left and continued to pluck at the skin, bones, and diseased organs that were quickly being pulled into the soil of this spirit world.

Instinctively, I held out my hands to see if I was dissolving also. I wasn’t.

I looked down at my feet and could see them also.

I didn’t know in the moment who I was and what the crows were eating.

It was both me and not me.

In my conscious mind, I also realized I wasn’t wearing any clothes or shoes.

I also saw I wasn’t me anymore. I was changing, or had changed.

I had almost no form. As though the thing that defined me was in a state of regeneration.

I was, in lack of a better term, almost transparent or ghost-like.

Yet I could touch my arm and chest, and my hands had sensations when I did this.

In the distance, one of the crows let out an annoyed squawk, and they flew away from the ground where my body had just been absorbed.

And with that, they were gone.

I stood motionless, staring at the patch of earth where my body had been. The crows had taken what they could, and the ground had claimed the rest, leaving nothing behind but a faint shimmer in the grass, as if the soil itself glowed with the memory of what I had been. I felt a pang of grief—not for the body, but for the life it represented. That body had carried fear, anger, a relentless need to control what could not be controlled. It had been a vessel for my suffering, a prison I had built with my own hands. And yet, as I watched the last traces of it vanish, I felt a lightness I had never known. The whisper came again, softer this time, as if carried by the breeze. “They are the cleaners of the old,” it said. “They prepare the way.” I understood then that the crows were not mere scavengers, but guardians of this realm, tasked with stripping away the remnants of what no longer served. They had freed me from the weight of my past, and in their flight, I saw the promise of renewal. I took a step forward, and the grass beneath my feet seemed to hum with a quiet energy, as if welcoming the new me.

My guess was they flew towards the cliffs and the shore hoping to find something more to eat, but I didn’t know.

Perhaps others make it to this land but give up before getting this far.

I could remember when I had first arrived, I wanted to give up, to let go.

The memory of me considering giving up and going back to the world that almost killed me was too real.

Maybe the crows had another body to devour waiting for them as part of their daily schedule.

I migrated back to the present.

The voice that spoke to me and uttered the single word ‘Begin’, what did that mean?

Perhaps it just meant what the word said and nothing else.

Even though I couldn’t rationalize not having a body and the concept of moving forward or walking, I did just that. I moved forward, and I walked.

I could feel the ground on my feet, and it was soft.

I could lower my hands to the grass and feel the strands play between my fingers. I could see the morning dew on the tips of the plants, and I knew it was the sensation of wetness.

As I waded through the varying lengths of grass with no direction in mind, I felt at ease with what I was.

The where I was ceased to matter.

The constant thoughts and noise in my head was buried in the silence and peace of a new sense of being.

That didn’t make sense, yet I understood it.

I had left something behind, and it was gone; mostly thanks to the crows, I laughed.

That part of me that I had held onto for far too long was no more.

A thing that had once been all things. Yet, it had no value, I could see clearly now.

To be free from the body and the limitations of the ego felt more natural than anything else I had experienced in my life.

Or, former life.

So many pains had left me, and I could see I never needed them.

I never needed them to be part of me.

I had far too often let them talk for me in that life that had just faded away into the nothing.

I was free of that.

I understood more of the nature of suffering for a moment.

I embraced this.

The sky above had turned from a darker grey to a lighter grey with a hint of blue.

There was still no visible sun, but I didn’t care.

I could see what I needed to see. Which was probably the case for longer than I can remember.

Details were unimportant.

Be mindful, I repeated as I moved.

I could sense some warming in the world around me.

I attempted to contemplate how one could feel temperature without a body or see the sky without eyes. And I let that go.

Just breathe. Be mindful. Be present.

I moved. I experienced. I smiled. I continued this for countless more moments.

Time had no specific hold in this spirit realm, and it didn’t control me; for once.

This went on for so many breaths. So many lifetimes.

As I walked through the spirit world, I began to notice that time itself seemed to bend and stretch, losing all meaning. In one moment, I felt as though I had been in this realm for mere seconds; in the next, I saw the redwood grow from a sapling to its towering height, its branches reaching for a sky that had seen the rise and fall of countless suns. I saw myself in a hundred different lives—laughing, weeping, loving, losing—all happening at once, a tapestry of existence woven into a single, eternal thread.

It was a joy that I hope you one day share.

Moments blurred into the continuum until I saw a single tree somewhat obliquely in the distance and slightly to my right side.

This tree was not like the others that I called pine.

Its size was much larger. The trunk had a red glow to it, and there was a large canopy; almost a shelter at the base of this redwood.

I had wanted to spend my thoughts on how such a tree could have grown here or come to this place, but I didn’t.

I didn’t need to. It was, and I accepted it.

The branches were wide and thick. There was life in this redwood that was deep and looked as if it had been here for more time than I was able to fathom.

This redwood extended up to the heavens and well past the grey and blue sky that I was able to see.

It was eternal. I needed no more information.

Its trunk must have been more than 100 feet across.

I wondered how deep the roots must have extended into the ground, and I stopped to remind myself that accepting the tree was all that had to be done.

It was as though I used to dream of a world I would never see, and now I am here.

The dreams and prophecies perhaps had some merit after all.

As I looked at that great tree in this world after my physical death, after the crows had taken what was left of me, and in the plains of grass and the sunless grey and blue sky, I saw appear at the base the shape of a man.

In this spirit place where I had no real body, it was just easier to say it was a holy man and not complicate things with words and labels and politically correct pronouns to appease the angry mob that no longer existed.

I hesitated.

I looked.

He said to me a single word, “Closer.”

I didn’t move at first.

Perhaps it was fear or the remnants of such from before that caused this hesitation.

Yet what could I actually be afraid of?

I had no body, I didn’t know where I was, crows ate me before the land dissolved me back into the continuum, and I was completely alone.

As I approached the redwood, the ground beneath my feet shifted, and I found myself standing at the edge of a narrow river, its waters clear and still, reflecting not the sky but a thousand fragmented images of my past lives. I saw myself as a child, laughing under a sunlit sky; as a warrior, bloodied and broken on a battlefield; as a hermit, alone in a cave, seeking answers that never came. Each image was a piece of me, a story of joy and pain, of growth and loss. The river seemed to beckon, its surface rippling with a question: Will you carry these with you, or will you let them flow? I knelt at the water’s edge, my reflection staring back at me—not the formless being I had become, but the face I had worn in my most recent life, etched with lines of sorrow. I reached out, touching the water, and the reflection shattered, the fragments of my past dissolving into the current. “I release you,” I whispered, and the river seemed to sigh in response, its waters growing brighter as they carried my regrets away. I stood, lighter than ever, and continued toward the holy man, the river’s lesson echoing in my heart: to move forward, I must let go.

I laughed and just moved towards the tree and the holy man sitting underneath it.

There was no longer any point in being afraid.

Even that thought sent a shiver through me as I moved towards the enormous redwood.

It was so momentarily profound, I said it aloud, “There is nothing left to be afraid of.”

For years, I had been afraid of my fears.

I lived as such and modified my existence out of fear of things that didn’t happen and never were going to.

I went through my days, routines, and annoying patterns to avoid the fear of pain or the fear of rejection or the fear of not being loved or something else I created in my mind to stop me. To prevent growth.

Why, I thought, just why would we choose to live that way?

There were so many other options, so many other choices, so many other and better ways to be.

I realized I was all but upon the tree with the holy man sitting on a large root, and I stopped to look, to gaze, to try to understand.

I also realized the tree was much larger than I could have envisioned. It was clearly well over a hundred feet across, and to the best of my ability, I would have guessed it went up more than eight hundred feet up into the sky.

Some of the branches extended seventy or more feet out from the trunk.

At the base was a cleared area with many large roots jutting out to form places to sit.

One could give a sermon here with many able to listen.

Which conveniently was directly across from the holy man.

Evidently, I was to sit down was the message that was being received.

I don’t know what my hesitation was. Perhaps I just wanted to take this in.

To be mindful of the moment.

I could hear my White Witch telling me, “Now Michael, be mindful of your journey, or you will not learn what it is there to teach you.” I let out a muffled laugh at that memory.

I moved over to a large root that was a few feet away from the holy man.

I could now see him more, or perhaps, he allowed me to see him more.

I don’t really know which one it was.

To describe him would probably be best to keep simple. He was timeless and undefined. Slender in shape and exuded peace beyond my ability to convey. His eyes remained closed, and his hands rested on his lap. He wore no shoes, yet his feet were tucked under his legs.

His skin was pale yet without flaw or defining mark. Perhaps it was a pearly white in color that seemed to change if you looked too long.

His hair was lighter in color. Even if I guessed his age, I suspect his hair may have once been darker, but now had become a sandy grey and shoulder-length due to the passing of time.

He wore what could best be described as a black karate outfit, but I didn’t sense any form of physical need for him to have this particular outfit on.

As my eyes pulled back from him, I noticed now I too was wearing something similar, albeit a different color. Mine was a plain white without any definition. In some unknown way, this made sense to me.

For a moment, I compared his outfit and mine, and similar to the crows’ wings that had previously been eating my dead corpse, he seemed to radiate an electric blue spark if you spent too much time trying to figure it out.

Before I could continue, he uttered to me in a very low voice, “It is all inter-connected, this you know.”

I had questions.

I had thoughts.

I wanted to say things.

It took effort to do nothing.

I was excited and scared.

What would the holy man teach me?

What would he say?

I sat down.

And began.

The holy man’s presence was a stillness that seemed to ripple outward, calming the air around us. His eyes remained closed, but I felt seen in a way I never had before—not as a body, not as a mind, but as a soul, raw and unadorned. He spoke again, his voice low and resonant, as if it came from the roots of the redwood itself. “What is the weight you still carry?” The question caught me off guard, and I felt a tightness in my chest, a remnant of the fear I thought I had left behind. I searched within myself, and there it was—a lingering doubt, a whisper of unworthiness that had followed me even here. “I don’t know if I belong in this place,” I admitted, my voice trembling. “I don’t know if I am enough.” The holy man’s lips curved into the faintest smile, and he gestured to the tree. “Place your hands on its bark,” he said. I did as he instructed, pressing my palms against the rough, warm surface of the redwood. A pulse of energy flowed through me, ancient and unending, and I felt the tree’s roots stretching deep into the earth, connecting to every living thing that had ever been or would be. “You are not separate,” the holy man said. “You are the tree, the grass, the crows, the sky. The weight you carry is the illusion of separation. Let it go.” I closed my eyes and breathed, feeling the doubt dissolve like ash in the wind. For the first time, I understood what it meant to be truly whole.

The holy man’s voice came to me again, as I sat beneath the tree, his words a gentle unraveling of my confusion. “Time is a construct of the mind,” he said. “It is the ego’s way of dividing what cannot be divided. Here, there is only the now, the always, the forever.” I closed my eyes and felt the truth of his words, the boundaries of past and future dissolving until I was nothing but presence, a single note in the universe’s endless song. In that moment, I understood that my suffering had been born from my attachment to time—to the fear of what had been and what might be. Free of that illusion, I was boundless.

The Eternal Realm

I awaken—or perhaps I simply am—on a hill that breathes beneath me, a swell of earth cradled in a sea of green so deep and rich it feels like the heartbeat of creation itself. The grass is tall, each blade a sentinel swaying with the wind, not just moved by it but dancing in unison, a flowing tapestry that shimmers under the silver glow of a moon so bright it casts shadows sharp as daylight. The green stretches out, endless and alive, rippling like a tide across the rolling hills, and where it meets the horizon, it blurs into something more—an ever-evolving edge that weaves itself into the ocean below and the night sky above. It’s a boundary that never settles, a living seam where grass becomes water becomes stars, shifting with each breath I take, as if the world itself is dreaming alongside me.

The mountains rise before me, timeless sentinels of stone and snow, their peaks piercing the heavens with a majesty that stops my heart. They’re tall—impossibly so—craggy spires draped in glaciers that gleam like molten silver under the moonlight, their slopes adorned with crevices and cliffs that tell stories of eons. Each ridge is a masterpiece, sculpted by forces older than memory, their beauty so profound it feels like a hymn carved into the earth. I can see every detail—the way the wind has etched patterns into their faces, the faint sparkle of ice catching starlight, the shadows pooling in their valleys like ink. They stand as if they’ve always been, unyielding yet serene, a testament to a grandeur that humbles me with every glance.

Below, the ocean roars and sighs, a force of nature so powerful it commands reverence, yet so accepting it feels like a mother’s embrace. Its waves surge with a raw, untamed energy, crashing against the cliffs in sprays of white that catch the moon’s glow, only to retreat in a rhythm that’s both dangerous and at peace. It’s a paradox—wild and perilous, capable of swallowing mountains, yet so wonderful it defies words, its surface a mirror of the sky above, rippling with an ethereal sheen that dances between reality and myth. I hear its voice, a low, resonant song that vibrates through my chest, and I smell its salt—bracing, alive, a scent that promises both peril and solace. It’s a beauty beyond explanation, a force I respect as I stand on this hill, knowing it could claim me if it chose, yet choosing instead to cradle me in its presence.

The night sky above is a canvas of infinite wonder, a vastness that calms my soul with its sheer, breathtaking awe. Millions of stars blaze—sharp, diamond-bright, a thousand worlds scattered across the void, each one a pinprick of light that feels close enough to touch. The Milky Way unfurls like a river of stardust, its cloudy glow weaving through the darkness, while planets loom large and vivid—Saturn with its golden rings tilted like a crown, Jupiter’s banded majesty glowing amber and cream, and other moons, strange and unnamed, orbiting in silent grace. They hang there, impossibly near, their colors so rich I could paint them from memory, their presence a quiet promise of eternity that soothes me even as it stretches my mind to breaking. The cold air carries their light to me, crisp and clean, and I breathe it in, feeling the universe expand within my lungs.

The horizon keeps shifting, a fluid dance of green grass, ocean waves, and starry sky—an ever-evolving boundary that defies pinning down. It’s as if the world is remaking itself moment by moment, the grass flowing into the sea’s edge, the sea’s foam bleeding into the stars, and the stars dipping to kiss the green again. It’s hypnotic, this interplay, a visual poem I’ve watched for decades, each shift revealing a new harmony, a new balance that mirrors the photographs I’ve spent my life chasing.

Then there are the statues—gods of a realm beyond time, rising from small islands scattered across the ocean like sentinels of the infinite. They tower thousands of feet high, immense beyond comprehension, their forms shimmering with every hue of the electromagnetic spectrum—crimson flames fading to sapphire depths, emerald greens sparking into violet whispers, and colors I can’t name that pulse like living light. They’re chess pieces of the cosmos, carved from stone that gleams as if lit from within, each one a deity lost to our modern world—Norse warriors with stern, runed visages; Chinese dragons coiled in jade splendor; and others from pantheons I’ve never read of, their shapes both alien and achingly familiar. They smile, a faint curve of welcome on lips worn by eternity, yet they sleep too, their eyes half-closed in a slumber that transcends time. They’re timeless, infinite—unaffected by the years that weigh on me, their presence a quiet eternity that humbles and uplifts me in equal measure.

The wind finds me, light yet powerful, a force I can’t conjure but can harness. It’s more than air—it’s alive, a current laced with something I’ve always called the Force, a blend of will and wonder that no one else here can feel. I let it catch me, and my shoulders shift—not wings, but something freer, an extension of my soul that lifts me from the earth. The ground falls away, and I’m flying—fantastic, freeing, a surge of energy that floods my mind and spirit with growth. The hill shrinks below, and I soar, the wind my guide, my speed a thing I control with a thought—faster through the valleys, slower over the lakes—though there’s a limit I’ve pushed against for years, a boundary I’ve stretched but never broken.

The earth beneath me—or whatever this place is—feels alive, a pulsing, breathing entity that cradles me as I fly. I sweep through the mountains, their timeless peaks brushing past me, their snow-dusted faces glowing with a majesty that takes my breath away. I dive into valleys where rivers carve silver threads through the green, then climb over hills that roll like waves frozen in time. Lakes mirror the sky, their surfaces trembling as I skim them, and I bank past waterfalls—towering cascades that plunge hundreds of feet, their mist cool against my face, their roar a symphony that fills the night. I race over the ocean, its waves surging beneath me, a powerful expanse that dares me to test its depths, yet cradles me with its beauty.

In the distance, the god-statues whisper—soft, resonant voices that weave through the wind, speaking a wisdom so ancient and vast I can’t fully grasp it. It’s eternal, timeless, a murmur meant for the rare few, if any, beyond me. They’re glad I’m here—I feel their warmth, their subtle joy—but I’m a fleeting speck to them, a grain of sand on an infinite beach, and that humbles me in a way that feels right. I fly closer, faster, the wind singing in my ears, and their scale overwhelms me—beauty incarnate, each one glowing with a different essence: strength in the Norse god’s stern gaze, serenity in the Chinese dragon’s coiled grace, mystery in the unknown deities’ shifting hues. They’re massive, majestic, and I linger near them, hovering in their light, then soar back over the ocean and mountains, hours slipping by in a dream that feels endless.

I’ve been here before—countless times over 30 years, maybe more—and each visit reveals something new. The first time, in my 20s, I barely flew, just felt the wind and stared at the stars. Over decades, I’ve learned the mountains’ hidden valleys, found new waterfalls thundering in the dark, seen the statues’ colors shift in patterns I’d missed. I’ve discovered myself too—my patience in the wind’s limits, my awe in the gods’ whispers, my joy in this flight that grows my soul. This place is real in my dreams, so real I can return when blessed, stepping back into its embrace like a home I’ve built in my mind. I know I’m dreaming, always have, yet it’s more than that—it’s a realm I’ve shaped and been shaped by, a sanctuary of wonder.

To be here, to fly through this living world, is awe-inspiring beyond words. The mountains’ timeless beauty, the ocean’s powerful peace, the sky’s infinite calm, the grass’s flowing dance, the statues’ eternal glow—it’s a symphony of the sublime, a gift I’ve carried for half my life. Each breath, each beat of my not-wings, fills me with a freedom and energy that lingers when I wake, a reminder of a place that’s mine alone, yet vast enough to hold the universe.

The Devil Made Me Do It

Fame’s a glitter-dusted bauble, isn’t it? Five, maybe fifteen years twirling in the spotlight, soaking up the cheers, then—oops—you’re a footnote, a faded poster curling at the edges, a legend who’s outstayed their welcome whenever the stage decides it’s had enough. Jimi Hendrix staggers off in a London fog at 27, a sloppy cocktail of wine and pills turning his riffs into a hiccup—rock’s sloppiest bow. Janis Joplin flops face-first in a motel’s stained sheets at 27, heroin scratching her blues off the playlist like a needle gone rogue. Kurt Cobain scribbles his last sneer in a Seattle gloom at 27, ditching the mic for a shotgun’s louder encore—grunge’s mic drop. That “27 Club” buzz isn’t some trivia nugget—it’s a cosmic snicker bouncing off the rafters. But it’s not glued to 27—oh no, the net’s wider, messier. Tupac Shakur’s spitting rhymes ‘til Vegas bullets clip his flow at 25, Heath Ledger’s hamming it up ‘til pills dim the marquee at 28, River Phoenix struts ‘til a Sunset curb trips him at 24, even Stuart Adamson strums Big Country’s last jangle before a Honolulu rope yanks him offstage at 43, his glory days a dusty cassette. The deal’s a loose wager—shine loud, fizzle fast, whenever the spotlight gets bored or the dice roll funny. We shrug and mumble, “Devil’s got a deal,” like it’s etched in stone—if you’re gullible enough to buy a horned huckster from a faith still tripping over its own sandals, still figuring out which saint’s got the best parking spot upstairs. What if Satan’s a wind-up doll, a cackling cardboard cutout dangled by three ancient gods—Dionysus, Loki, and Kali—who’ve been tossing this game since humans first clapped a beat into the dirt? They’re the ones spinning the wheel, giggling like schoolkids, pinning it on a phantom while we fumble with rosaries and miss the real show.

Picture a fire crackling in some cosmic backwater, way back—1200 BCE, Greece humming with olive groves and bravado, the air thick with salt and swagger. Dionysus flops there, god of wine and rowdy nights, his curls plastered with grape juice, grin wide as a carnival barker’s. “Mortals are gold,” he drawls, swirling a goblet so hard it splashes red across his tunic, “dangle a shiny stage, and they’ll elbow their own mums to lick my boots. Zeus can shove his lightning—I’m the headliner they’ll never top!” He’s lugging a suitcase of grudges—born from a mortal mom Zeus zapped in a jealous huff, dodging Hera’s spiteful hexes like a kid sidestepping a bully’s spitballs, clawing for a wink from the Olympian stuffed shirts who’d rather sip nectar than slum it with him. “That twerp Pentheus in Thebes?” he chuckles, sprawling back on a rock, “Doubted my vibe—my girls tore him to ribbons, blood dripping like party streamers, guts flung like garlands. Now I play ‘em—Hendrix in ’66, I slid him that white Strat, ‘Strum it, rockstar—steal my thunder, you scruffy git!’ Winehouse in ’06, ‘Wail it, darling—give ‘em my shivers, belt it ‘til they’re bawling!’ They’re my little puppets—cute as a barrel of drunk monkeys, tripping over their own hype like toddlers in oversized shoes.”

Loki’s sprawled beside him, Norse trickster, all sly winks and restless fingers, tossing twigs into the blaze like a kid flicking peas at a sibling. “You’re a sentimental sop, grape-breath,” he teases, voice dripping with mock pity, “glory’s the carrot—yank it, watch ‘em belly-flop like fish on a dock! Odin’s droning up there turns my skull to porridge—Thor’s biceps don’t quip, just grunt. That time I nabbed his hammer? Dressed him as a blushing bride—bawled like a calf, I laughed ‘til I nearly popped a rib!” He’s the oddball, giant’s runt with a chip bigger than Asgard’s gates, stirring chaos to dodge the soul-crushing bore of eternal lectures and mead-soaked flexing. “Hendrix’s pills? My sprinkle—‘Whoops, snooze button, mate!’ Cobain’s whining? ‘Crank it up, lad—make it pop, give us a show!’ Tupac’s swagger? ‘Beef it up, big shot—let’s see some sparks!’ They’re my wind-up toys—spin ‘em, watch ‘em twirl, crash ‘em into each other like bumper cars at a fair run by lunatics!”

Kali lounges across the flames, black as a starless void, skulls jingling like a macabre wind chime, scythe propped lazy against her knee like a bored gardener’s rake. “Polish ‘em up,” she purrs, voice a velvet jab that lands with a wink, “then I snip—whenever I damn well fancy, ripe or past due. Time’s my sandbox, and they’re overdue for a tumble like overcooked figs.” She’s the wildcard—Vedic chaos coughed her up, birthed life ‘til the gods swapped her for shinier thrones, left her twirling death’s baton with a smirk that could curdle milk. “Durga thought she’d swipe my spotlight,” she snickers, flicking a skull so it spins mid-air, “I danced on Shiva ‘til he squeaked like a stepped-on cat—still they snub me like I’m yesterday’s curry gone cold. Tupac’s Vegas strut at 25? My encore—those bullets sang me a ditty. Ledger’s fade at 28? My yawn—pills are so last season. Adamson’s rope at 43? Overripe’s got a zing—keeps ‘em guessing!” They’re plotting now—500 BCE, fire popping, mortals poking their noses where they don’t belong. Dionysus sloshes his goblet, splashing Loki, “Oi, they’re catching wise—poets flop mid-ode, bards trip on their own lutes, warriors croak mid-brag. We need a dodge—something with pizzazz!” Loki’s grin splits like a cracked melon, wiping wine off his cheek, “Oh, I’ve got a corker—whisper a horned buffoon, red and grumpy as a hungover troll! They’ll chase him while I tip their wagons—pure comedy! That Baldur fiasco? Mistletoe dart—Odin sobbed into his beard, I toasted ‘til dawn with the barmaid’s best!” Kali leans in, smirking, twirling her scythe like a baton, “Point their whines at him—my snips vanish like a magician’s rabbit. Triple the laughs—those prissy gods won’t spot me in the shuffle, too busy preening!”

They’re at it again, 100 CE, fire roaring, the air thick with their glee as embers spiral like fireflies drunk on mischief. Dionysus hiccups, sloshing wine over the edge, “Spiked a Roman shindig—those toga twits are scribbling ‘tempter’ like it’s the next big epic. I’m in stitches—humanity’s a walking farce!” Loki’s rolling, clutching his sides, nearly tumbling into the flames, “Slipped a forked-tongue grump into a mystic’s snooze—‘Bad red man, ooooh!’ They’re gobbling it like stale porridge! That Sif haircut? Thor bellowed ‘til his face turned purple, I giggled ‘til I wheezed—this is peak entertainment!” Kali’s grin glints, sharp as her blade, tossing a skull into the fire to watch it pop, “My shadow’s red now—let their ‘Devil’ strut it like a peacock with a limp. More for me—Vishnu’s pets are napping through this, the lazy sods!” They’ve hatched Satan—Lilith’s sass, Hades’ gloom, Pan’s horns mashed into a stooge who’d trip over his own tail if he had one. By 1200 CE, Dante’s Inferno dubs him sin’s top dog, preachers yelping “Devil’s deal!” like it’s the hot gossip at the village well. Dionysus raises a glass, slurring, “To the red numpty—dumber than a sack of wet hammers!” Loki snorts, nearly choking, “Thicker than Thor after a keg—cursing him while I jig their strings like a puppeteer with a hangover!” Kali chuckles, “Their squeals are my giggle—keep ‘em coming, you clowns, I’ve got popcorn for this!” Hendrix flops in ’70—“Satan!” Joplin fades in ’70—“Satan!” Cobain skips in ’94—“Satan!”—they’re cackling, splitting the take like kids raiding a candy jar.

They’re a trio—Dionysus hooks, Loki jigs, Kali snips—too slick to trip over their own feet solo. Phoenix shines in ’86—“Glow, kid—give us a twirl!” Dionysus croons, winking like a used-car salesman. Loki tweaks—needles hum, “Slip, star—let’s see a pratfall!” Kali clips—’93 curb, “Next—curtains, sweetie!” Who’s it on? The wine-slinger slurring, “Twirl, pets—make it snappy, chop-chop!”? The jester snickering, “Whoops, tumble—oopsie-daisy!”? The reaper humming, “Mine—next caller, step right up!”? You’re chasing a breeze, and they’re in hysterics, slapping knees. Slippers prove it’s a lark—Pete Best bangs Beatles drums in ’60, sacked in ’62—“Luckiest unlucky git alive,” he grins to The Guardian in ’12, while Lennon’s toast and Harrison’s puffing his last. Dave Mustaine thrashes Metallica in ’81, dumped in ’83—“I’d be toast,” he smirks to Kerrang! in ’90, Burton flat at 24. Mick Taylor struts Stones riffs in ’69, bolts in ’74—“Not Brian’s flop,” he mutters to Mojo in ’95, Jones sunk at 27. Syd Barrett sparks Floyd in ’65, fizzles by ’68—“Lucifer Sam” winks in ’67, “not me” slips to Melody Maker in ’71—he doodles ‘til 60, smirking at the chaos he dodged. “Let ‘em skip,” Dionysus slurs last week, fire dancing, “more clowns to juggle—plenty of stage hogs begging for a spin!” Loki giggles, “Pipsqueaks—I’ll nab the divas, watch ‘em pirouette into the muck!” Kali hums, “Fresh or stale, they’re my jest—line ‘em up, I’ve got a quota!”

It’s rolling now—fame’s a gag with a smirk that won’t quit. Dionysus hooks—Ledger in ’05, “Shine, pretty—give us a show, dazzle ‘em!” Winehouse in ’06, “Wail, doll—belt it for me, make ‘em swoon!” Loki twists—bottles clink, “Stumble, darlings—give us a laugh, trip over your own laces!”—wrecks pile up like a clown car crash. Kali cuts—’08, “Yawn—next!” ’11, “Snip—curtains, love!”—whenever she fancies a chuckle. X chirps—“Cursed!”—you’re warm, chasing a puff of smoke. Last night, fire popping, Dionysus boasts, sloshing wine over his sandals, “They’re still eating it—‘Devil’ while I pour the good stuff! That Athens crooner—warbled ‘til his tonsils burst, I lapped it up—same old trick, mortals never learn!” Loki cackles, “Rigged Cobain—thought he’d outfox me, ha! Like that Jotun I conned—built Odin’s wall, paid in mud, face like a slapped trout—humans are just as thick!” Kali purrs, tossing another skull to sizzle, “They’re my comedy—Satan’s our golden gag. That warrior bard who defied me—strung him slow, Adamson’s kin—mortals flail so adorably, it’s almost art!”

But this? This is just the opening riff—Part One of a saga that’s got legs longer than a Norse winter and more twists than a Loki prank gone sideways. They’re not done—oh no, they’re barely stretching their legs, eyeing the next batch of starry-eyed suckers with grins that could light a theater marquee. Dionysus leans back, slurring, “That Athens crooner was just the appetizer—wait ‘til you see the Roman poet I fed a quill, scribbled ‘til his inkpot wept, or that jazz cat in ’20s Harlem—blew his horn ‘til his cheeks popped, all for my giggle!” Loki snickers, “Oh, I’ve got tales—tricked a Viking skald into a duel, he sang ‘til his lute snapped, flipped a Renaissance duke mid-ballad, face-planted in his own velvet—humans are my circus, and I’ve got a backlog!” Kali hums, twirling her scythe like a baton, “Kings thought they’d dodge me—empires crumbled, troubadours faded, that Persian dancer who twirled ‘til her slippers bled—I’ve got a list scribbled in blood, and it’s barely started!” They’re tossing yarns, plotting capers—Dionysus boasting, “Next one’s a screamer—gonna milk ‘em ‘til they’re dry as a desert!” Loki giggling, “I’ve got a doozy—gonna flip ‘em like flapjacks on a hot griddle!” Kali smirking, “Snip ‘em ripe or rotten—more for my pile, boys, keep the conveyor belt humming!” It’s a game with no buzzer—humanity’s their sitcom, and they’re scripting seasons like gleeful showrunners. Hollywood’s sniffing already—this’ll hit the screen, all glitz and grins, a blockbuster with a laugh track that’ll echo ‘til the credits roll. “Purple Haze” hums, “Teen Spirit” snaps—hear it? Dionysus toasting our goof, Loki laughing at our pratfall, Kali prepping her next quip. We’re their running gag, folks—Part One’s just the teaser, and the reel’s barely spinning. Buckle up—they’re tuning the orchestra, and the curtain’s nowhere near dropping.

Fragments

All of the things below are fragments of thoughts and ideas I had started at some point and just didn’t finish.


It’s been a really difficult year for me.  And there really aren’t too many people left to talk about it with.


Either way, no one ever reads this.


—-

Adrift


I seemed to have dazed off or perhaps I phased out.  I don’t really know.  This place defies the simplicity of being alive with all of its nuanced ironies.


I was still on this semi purgatory state of existence; if I could even call it that.


The essence of ‘me’ was still in the grove of the Holy Man.  He was nowhere to be seen at the moment.


But i sensed something changed.  It was a strange feeling like I slipped back in time and back into my flesh to replay some series of events.  It could kind of felt like i lost at a video game and i had to respawn and replay a few quests again to get back to where i was.


Even as i thought that I could hear the echo in my head of how utterly stupid that sounded after all iI had been through.


I was lost again and I could hear my own voice in my head screaming out.



—-


Endless Dream


‘It’s all coming back to me now.  That strange and almost endless dream...’


Who was singing this to me.  Who was she.  I could conjure and image for the briefest moments, and it faded.


Where was I today?  What was a day...


There were so many, and there were none.  


And with that, I was to know myself.


I had created illusions, I couldn’t literally or figuratively ascertain where I started or where they ended.  And they were there, in the quiet.  The peace of not knowing was a greater savior than I had before.


Did I belong?


Will I find that comfort ever again, or is it the Endless Dream?


In a weightless moment I saw it all.  


I could never go back, that was the hardest lesson to realize.


I wasn't afraid.  I was alone.  The design we create was a cruel bitch at times. 


My friend in the prior life would have told me about choices and consequences.  Or perhaps she believed that the Riders of Rohan were real.  Perhaps they were.  Who was I again; Farmir, she said with some level of excitement.


But I had been falling from the world for so long, I was thinking, I was someone else.


I wasn’t. 


Perhaps this was a trip from my imagination, or it was Peru. Did it matter?


I don’t recall, why was that?


To know love, to feel love, was all a factor of fear; it was shapeless, it was a changing cloud.


The grove of the Holy Man had dimmed in the prior six months; whatever a month was now, I don’t recall; did I ever?


I forgot why the flesh was poison.  I just forgot so many things


I forgot why thoughts were the Mind Killer, I was embraced in fear.


Change was inevitable.  I had to see that.


But gravity pulled me into the quiet. The desolate and the darkness 


And this is the trip we are on. 


Forever, to be encircled.


—-


Secrets


I gathered all my secrets (and I don’t know who I am).


I sat there, forever, and imagined this was a line from a song by a band I loved back when I was alive.


And it was. 


So many things that faded away. So many deaths in the suburbs; so many lives that would fade away.


And with al, things, Therein lay the irony.


I was dead, forgotten, alive, and both with schrodegers cat and without.


—-


The seventh day


I had been told forever that god created something on the seventh day, or within seven days or maybe Joe Benson just played a full record of a band I liked on the seventh day on KLOS and my goal was to record that on a cassette before my brother did.


None of it mattered now and quite literally I don’t know why I even had these thoughts.


I had no more days; not here, not there, not anywhere.


For that matter, I had nothing because I was at the point of the nothingness.


Imagine for a moment what life would be like living in an hourglass. But, only at that point where the top part met the bottom part.  


And, for the record, I had forgotten what that actual point was called anymore.


Was that the nexus, or the juxtaposition, or the apex...  Damn, it had slipped away after my mortal demise.


With all that said, none of it changed the situation; in lack of a better term.


I saw that old house, that old place.  


I saw the snow and the palm trees and grapevines of my youth.  


Or, at least I think I did.


Death was far more complicated than they taught us in school


—-

The Elf of East Hampton Bridge

Alt title - Farmour than I will ever be

-this is in very early draft mode-

The story is set in a small fishing in England during World War Two. The village is on the northern part of England on the eastern coast not too far from Scotland. The village has been there for hundreds of years and for the most part hasn’t ever changed. Almost as if time forgot it.

Main characters:

Andrew Wellington a village ‘reclaimer’ and factory bookkeeper who also plays Farmour the Elf and is the same actor that plays Andrew Wellington; David Burrows an American tv star who is completely out of place playing an English character.

Elizabeth Milford a local village resident that longs for a life outside of East Hampton bridge. The actress that plays Elizabeth is named Laura Cook.

Sydney Smyth, the granddaughter of Andrew who is in possession of all of Andrews journals. She is only part of the movie narrative. She has a thing for American actor playing her grandfather. Ultimately she is the only one that knows what really happened to Andrew and Elizabeth and has never told anyone.

Oscar black is the one male friend Elizabeth has that hasn’t gone off to war that she feels confident enough to talk with. He knows he will be drafted and sent off any day so he never really forms a relationship with her. They have known each other for many years. Oscar is uncomplicated and does what he is told without question. He is a simple and kid person.

Location:

The small village of East Hampton by the bridge has a few hundred residents and is been somewhat lost with all that is going on in England during the war. This was once a weekend getaway for well to do Londoners but that ended with World War Two.

All the residents are very English and generally very stoic. Modem time:

Andrew, Elizabeth and all the actual characters in the village have long since passed on in some form or another. The begging of this story is the three main actors talking about the story for the movie they just ended up filming. So the main part of the story isn’t the movie being filmed it’s flashbacks to what the actual people were doing. So the interaction with people exists on a few levels. The actors talking about the characters, the movie of the actors telling the story, the actual story and then the stories that Andrew is telling Elizabeth.

Backstory:

Each day most of the able bodied men that have not shipped off to war and many of the women make the two mile long walk to the factory where they make some (never discussed) item for the war effort. The reason this item is never discussed is that it doesn’t matter, much like their small village, but everyone feels obligated to help and without any tourists there isn’t really anything else they can do. It’s as though the village is stuck in time and never seems to age.

On a very few occasions someone drives through the village on their way to Scotland. And that’s about the extent of anything different that ever happens.

Andrew is the main character and his story and the actor that plays him exist on a few different literary levels. This will be explained later as it is initially rather confusing.

Andrew is officially a bookkeeper at the factory. He isn’t well liked because most of the people in the village think he gets special favors because he appears to only work half days. The locals claim that all Andrew knows how to do is charts and graphs (inside joke).

Andrew wears a white suit that is never dirty. This is by design from the town council to keep his true job hidden. In reality Andrew is the bookkeeper, But he works half days because he is a ‘reclaimer’.

A reclaimer is a person that has to scan the ocean shore; specifically the waterway under the bridge where special nets have been set up to catch debris from ships that have been destroyed or sunk at sea.

Most of the village thinks he stares off into the ocean because he is lazy but it’s really to see what is floating in. Andrew never talks about this to anyone. He does keep a journal of everything he finds as required by the village council.

Every few days he (or one of the other very few remaining reclaimers) see debris floating in or caught in the net and have to take off their white suits and fish out what the ocean has brought up from the sunken ships. A few times a month this means he has to dredge up the dead bodies he finds and hide them from everyone in the village so the locals don’t get to depressed from the reality of the war.

This has a devastating impact on Andrew and all of the Reclaimers. So much so that many of them quit their job and volunteer to go to war instead.

The village council is made up of men too old to go to war or injured from World War One.

They know Andrew is loyal to the country, the crown and the village. They have falsified his medical records so he doesn’t get drafted. Andrew isn’t made aware of this until later and feels torn on what to do. He lives a very lonely life as no one wants to associate with their perception of him being lazy or avoiding the draft.

The things that are reclaimed are usually of no value and are burned in a perpetual fire in the pub that the village council meets. Most of the locals think this is arrogance on the part of the council and don’t understand how devastating it is for the council and Andrew.

When things are reclaimed that can be identified the council sends them back to the family of the victims. Andrew also has to package up and ship the personal effects all over England which makes people believe he has been hoarding wealth from everyone else. Everything that is usable but can’t be identified is sold at the council store to the locals. Realistically, it is given away because the people have somewhat no possessions and no money to begin with.

Andrew specifically reads as many books as he can because it’s his only escape from the horror of being a reclaimer. Andrew at one point picked up an old pipe (think Sherlock Holmes), but he never smokes it. He just carries it around as a prop. Most people misunderstand this.

Elizabeth is younger, blonde and quite good looking. Her father is off to war along with her two brothers. She hasn’t heard from them in a long time and has no way to contact them. Her mother passed away long ago and we don’t really hear much about her. Elizabeth’s only friend is Oscar Black The two of them tend to walk to the factory together often and on occasion chat about things to keep their mind off the depressing nature of their existence.

Elizabeth used to read a lot and has very fond memories of her father telling her stories. She loved the adventure stories and things like Dickens (and fantasy stories, i just can’t think of any at the moment for that period of time, but think Tolkien). She wants to be swept off of her feet and fall in love but has given up since so many men are lost or gone to war. She really doesn’t notice Andrew and if she does she kind of joins the village in ignoring him.

One day after a long shift Elizabeth is walking home and sees Andrew staring out into the ocean at sunset. Out of somewhat spite she stops and asks him in a rather condescending tone what he is doing. Andrew knows he cannot tell her what he really does as a reclaimer so he tells her he is studying the strategy of the submarine maneuvers off of the coast.

She stops not expecting that answer and says where are they. Andrew is taken aback and says, ‘well you can’t actually see them until you are well trained’. She laughs and says ‘what is the name of the submarine you are looking at now’. Andrew replies, ‘well none other than the greatest ship in her majesty’s fleet the HMS Wellington’. Elizabeth lets out a genuine laugh and realizes after a little more chat that Andrew isn’t the bad guy everyone says he is and that he is both funny and creative.

They meet a few more times on the bridge and have some idle conversations. She starts warming up to Andrew because he makes up these stories for her every day and she needs / longs for the escape. Andrew also begins to warm up because he is finally talking with someone else. We also find out that Andrew has made sure to be on the bridge on days when he knows Elizabeth is going to walk by. He has been doing this for months if not longer.

At one point we find out Andrew ‘reclaimed’ an old steamer trunk full of books and at night be dries them out and reads them before giving them to the village council to sell or for them to read. This is important later to know that the village council reads a lot and most of them are amateur writers. They two need an escape from the depression of war. We also find out Andrew can recite the passages from almost any book he has ever read.

One day as Elizabeth approaches the bridge to speak with Andrew another reclaimer is coming out of the water with some very grim findings; the body of a sailor lost at sea. Andrew doesn’t want her to see this for many reasons.

He motions her to hide beneath the bridge wall for a moment and to be silent. He needs to buy some time. So he makes up a story on the fly.

He tells her she most swear secrecy and take an oath of silence to never tell anyone what he is about to say. She agrees.

During this time we see the other reclaimer come out of the water and put a body into a cart and cover it up then he gets dressed in his white suit that is very wet and starts to walk to the village. The other reclaimer is also as equally disliked, but we never meet him.

It’s late enough in the day that we can’t really see a good vision of the reclaimer that just got out of the water. Andrew and Elizabeth get up in time to see this shape walk towards the village.

Andrew tells Elizabeth that is ‘Farmour’ the Elf. He is a prince from a magical kingdom that takes the form of a human to search for treasures.

Elizabeth gives him a strange look and says prove it. Andrew says he can prove it, because Farmour will give him a special hand signal to say he has risen from the elven kingdom to go get a pint at the pub.

The truth is the hand signal is to tell Andrew that the other reclaimer found a body and he needed to dispose of it.

Elizabeth kind of believes Andrew but demands she tell him more of Farmour since she is now sworn to secrecy.

Andrew says he will, but he must tell the council first to prepare the best pint of ale for Farmour as he rarely comes up from the elven kingdoms. Andrew leaves for the night and Elizabeth is finally seen with a smile. We get a strong sense that Elizabeth is becoming happy.

Going forward each day or as often as possible Andrew and Elizabeth meet at the bridge so she can listen to stories of Farmour. They start to warm up to each other as time passes. It is also becoming summer and our normally dark and dreary village is lighting up.

Elizabeth initially only wears dark clothes and has a drab demeanor. As time passes her colors get lighter and her face gets brighter.

Andrew finally starts to feel a little bit alive and not the pariah that he is made out to be.

He begins writing down new stories for Elizabeth each night to tell her the next day. He has to be careful as to never let her see what he really does.

Much later in the story we find out that Andrew wrote four journals. Three of which are Farmour the Elf stories and one of which is the actual inventory of all the things he reclaimed.

This plays out in the end when the actor that plays both Farmour and Andrew is given the never read before, fourth journal and understands the true nature of his character.

Assuming this is a movie, it’s exists on a few levels:

1 - The actors talking about the people they are playing and we find out the actor playing Andrew and Farmour falls in love with the grand daughter of the actual Elizabeth. But never tells the grand daughter about the true nature of the fourth journal.

2 - The story of Andrew and Elizabeth and the village

3 - And the story of Farmour the elf and his adventures acted out from the stories that Andrew made up.

4 - Farmour is an eccentric elf that falls in love with a human woman. He battles with the village council in a fun game of literary quotes while drinking in the pub. This is really a story about Andrew dealing with the village council that he makes into a fantasy to tell Elizabeth stories.

5 - Finally there is a story of Elizabeth pretending that Farmour is sweeping her off her feet until she realizes that she is in love with Andrew.

Remember, Farmour is fictional and he represents a lot of what Andrew wants to be; which is fun, adventurous, creative and ultimately wanted by the village.

In one of the stories that Andrew tells Elizabeth, Farmour goes to the goblin kingdom to bargain for some treasure. The goblins have this game called ‘devil dice’. Six goblins sit at a table and the king is at the head. Each goblin to his left competed with each other to see who can challenge the king. This challenge only happens once a year on the longest day of the year.

Each goblin rolls two six sided dice. The winner says a quote from a book. If the opponent guesses the book he has to reply back with a quote from that same character. If the opponent thinks the first goblin is lying he calls him out. The other goblin then has to prove the quote is real or he loses. If the quote isn’t real, the challenging goblin wins. This goes around until there is one goblin left with the king.

Keep in mind this is based on the actual village council and their sitting around reading books and telling stories while drinking beer (or ale). Andrew loves the stories and loves to talk about books he has read; mostly because no one will talk to him as a ‘reclaimer’.

In the Farmour story one of the tricks of the game is for the king to get all the goblins drunk before anyone can challenge him.

Andrew tells the story about how Farmour figured out to get all the goblins drunk before the king so he could challenge the king and win. Which of course he does. And then he picks the kings daughter as his prize.

This is to illustrate that Andrew wants to be with Elizabeth and he doesn’t know how to tell her this.

Andrew also has stories he tells Elizabeth about adventures he goes on with Farmour. The point being is he wants to make Elizabeth believe he is adventurous and fun so she doesn’t see him as a lazy bookkeeper at factory, and to hide the fact that he is a reclaimer.

There are a lot more stories about Farmour and Andrew has them written in his three journals.

Farmour is kind of a cross between Loki and Thor. He loves to play tricks and outsmart people, not really for the treasure, more for the bragging rights. One rumor is he was kicked out of the elven kingdom for falling in love with a human and he had to bring back the greatest treasure ever to be found to earn his right back into the elven kingdom.

The sappy part of this is that the elven king is teaching a lesson to Farmour that the greatest treasure is true love and that once you have that it doesn’t matter where you live.

This is to parallel with Andrew and his situation.

——-

Things I have to wrap up:

The actors and their story (how they go there, and most importantly what they think about the story)

More on Sydney and the American actor

More on what really happened to Andrew and Elizabeth (I am leaning on Andrew is actually Farmour and once he and Elizabeth fall in love they go to the elven kingdom)

The combination of the time-lines and how it is interspersed with the flashbacks

What really happens to Andrew and Elizabeth (which ultimately makes me want to allow them to become Farmour and Elizabeth).

More on the adventures of Farmour.

Farmour does have an ego and does lose to the goblin king a few times before he figures out not to drink beer while playing devil dice (unrelated to playing poker in Clovis New Mexico, and definitely not related to dungeons and dragons)

More on the village council. It’s these old guys that are probably goblins in human form. More on the granddaughters back story and how that plays out with the actor playing Andrew More on the reclaimers

And in eternity, I shall survive

I sensed that spring, summer, fall and winter had past me by.  The seasons as a whole were no more in this place.


By my perspective nothing had changed.  It was a feeling of longing.  And it was a trap I had to avoid. 


The journey had been so many different things.  And it was the answers that were the prison. I needed to grasp that. Yet I fought it.


A blur at times, some flesh, some sounds, a few images and the pitter patter of kittens running over the furniture and then sleeping on my lap.  I drove for so many miles into the abyss.  What did I choose that route?


The temperature had changed numerous times.  The heat and the cold seemed to be the same thing in retrospect, it was more about what words I used to explain the situation that seemed inconsistent.


I had become accustomed to chaos and liked it a great deal.


Was any of this real?


Perhaps the finality of my earthly passing was haunting me.  I don’t know. 


And, suspect I never would.  


In a way, I was at peace with that, and fighting it the entire time.


I had not moved from the root of this eternally large tree that the holy man motioned for me to sit so long ago.  


It was peace and tranquility.  It was if I was living in a Herman Hesse book.


At times I couldn’t tell if he was with me or not, and I think that was by design.  As for it being his design or another’s, I won’t ever know. And honestly, it doesn’t matter.


I had been traveling to so many places.  Some real and some not so much.


The snow and ice of the altitudes in Colorado and Wyoming I didn’t know existed.  To the red and orange deserts of Utah and Arizona.  On a lake in Kalispell Montana. And eventually to the pit of Las Vegas and all the pleasures it used to bring.  


Thousands of miles and many, many lifetimes ago.  And that was no more.


I was on an island now and there was no escaping it.


It was like being lost but being able to retrace your steps. 


None of that made sense.


I was over thinking. 


Why do I do that?


He had not spoken in more than a year in terms that the living would understand.  But that was not me.  It was not this time and this place.  


I forget so many things.  I have glimpses of anger and of passion and of betrayal and of wonder.  And now they were only glimpses. I used to call this living with Polaroid memories. The kids today won’t get that reference.


For moments the sounds of Ramin Djawadi would echo in my thoughts.  So much drama. And so many memories.  The diversity of emotion would fill my soul. I saw The Glen and it evaporated for me and so many others.


I knew nothing more and nothing less than when I arrived here.


Oblivion was sublime and a release from the pain of wanting; and of desire.  


As it turns out, agony is born of that.


And, in its own way it was really boring.  


I had to laugh at that thought.


So after 50 years on the earth I finally meet the closest thing to the Buddha that probably exists and a part of me was bored.  


How was that possible?


I used to want to climb Mount Everest and walk the El Camino in Spain or watch the northern lights in Iceland.  And when finally faced with the enlightened one I had a thought of being too busy or preoccupied to pay attention to the wisdom.


Perhaps social media had been the demon I couldn’t face all along.  And it had drained more of me than I had realized was possible.


Or it was just me and the cumulative years of shitty decisions.  It was always easier to blame someone else.


What was my other option, posting pictures of food on the insta-book and throwing in a hashtag to highlight how impressive my mashed potatoes were?


That was never me.


I had fallen for thousands of lifetimes and back to a place of questions; the juxtaposition of decisions was in front of me, metaphorically speaking and I was thinking about mashed potatoes.


The Holy Man did not move.  He was eternal and I was not.


In a way I suspect his lesson was indirectly telling me to shut the fuck up and not say another world.  


And that alone was hysterical. 


Perhaps as a way of letting me know I was thinking too much, it started to rain in the grove of the Holy Man.


How do you laugh at the sense of irony; unless it was your wedding day.  But that’s another story.


I had dreams and I had nightmares, but I still believed there was something out there.


In those thousand lives I lost in order to be here I felt comfort. I had to be in that moment; regardless of how long it actually existed.


To purge myself from the thoughts of those that want and need and so many other things.


Out loud I uttered a word “Stop”. 


And I heard myself in this new world for the first time as if that word belonged to this place.


It was a key to a door that didn’t exist.  


Simply put, ‘stop’  That was it.


I could still believe. I could have those dreams and those nightmares.  But the lesson for that moment was simple. 


And then stop, and let them go.


I don’t know how good I would get at this but the point was made. 


The Holy Man never said a word about it.


And in the next breath I was closer to it all.  Closer to the nothing I yearned for. 


I felt I was in Lake Tahoe on that small pier looking back at the beach and it was 40 years prior.


It was staring to make sense.


Then he opened his eyes to glance at me.


I would swear there was a smile. 


AfterlightImage.jpeg

The simplicity of decision making

Assuming you have a rational way of looking at day to day situations, it turns out making decisions is really based on three factors.

At any given point you have three choices, and that’s it.

Acceptance:

Accept the situation for what it is and embrace it.  Personal happiness, the ability and desire to get along with others is directly traced back to this concept.

Change:

Actively work to change your situation for the better and in such a way that causes no harm.  The goal is to make things better on a larger scale than just for yourself.

Leave:

If you cannot accept a situation and do not want to work to change it, you literally have one choice that remains, leave that situation.

Why is that:

Somewhere in the wide expanse of life and all we know there is a definition of insanity and a sure fire way to become miserable. 

It can be defined in the following way:

“I can’t accept where I am and I won’t do anything to change it, nor will I leave it.”

This final concept breeds entitlement and victimization along with occasional self aggrandizing and a focus on the concepts of blame and fault; and always at others.  

People don’t like to accept a given situation if they think they are owed some thing or special treatment.  This also usually means they do not want to work to change that situation.  Which tends to indicate they don’t want to leave the situation because they might have to face themselves.  This is a viscous circle of stagnation and self-imposed misery.

Happiness and personal growth are just not that difficult to achieve when your perspective is updated to these concepts.

You can do this and more, it’s your decision.

AfterlightImage.jpeg

I Am Perfect

In a lost little desert town without traffic lights in the south west portion of riverside county in Southern California I woke up and threw myself into an oncoming train of arrogance and didn’t feel a thing when it struck me.

I don’t remember the exact year I came to this revelation.  

Perhaps the late 80’s, truth be told it doesn’t matter.

I was walking around the groves of my step-fathers ranch with all the pomp and circumstance that some sub-20 year old could muster and simply announced to the grape vines, squirrels, rabbits and random citrus trees “I am perfect”.  

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So long ago

I see the rivers of time

The flows of eternity

The water that falls

And the reasons behind

 

Those sounds that I cannot sleep too

Another thing I should have said

Echos now

I felt those things fall from the sky

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The moving castle

It’s strange, what is in the mind. 

It will be all right.

Because it is in the mind.

It sets us apart. 

 

Letting go; this time and again.

Fragile voices.; the angels dance.

So long ago. 

It was the ‘Riddle of the steel’ 

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Gal Gadot

We see in those things that matter; do this and more.

We dream as we should. 

In a cave, and on a plain, in the skies, the light of a candle. 

Wake to a new morning.

Forgive as we forget.

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Sharaya

Chapter one:  Shadows and dust.


I had not seen Sharaya for months, possibly more. I missed her.  But she wasn't the type of girl I could invite over, ever.

It was complicated.


She was my brother’s super geek calculus partner from college and his semi-professional ‘not-girlfriend’. 

She was also a time traveler, he didn’t know that part about her and probably never would.


I am also talking about two completely different girls, sort of.

It was late August in Southern California so it was hot and dry.  Which in the year 1984 was pretty typical for most days where we lived in Temecula.

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So naive

 In the twisted and naïve world I live in I believe I can solve problems.


I am usually wrong.


I think in some way my words, thoughts, opinions or pointing out factoids will sway you to see the light.


I am more often than not still wrong.


I absolutely support this country, even when I don't agree with a lot of things going on. And trust me, there are a lot of things going on that are really stupid.


I categorically support the men and women in our military, yet I hope that they never see combat and I think the men who make wars never pay the true price of their decisions.

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Wolfism

Wolfism

[woolf-iz-uhm]

noun

  1. The behavior of claiming a person or group has been wronged or discriminated against based on a specific demographic or characteristic of that person or group; knowing that the claim is in fact untrue.

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